Music
Department of Music:
Department Website: https://music.columbia.edu/
Office Location: 621 Dodge Hall
Office Phone: 212-854-3825
Contacts:
Director of Undergraduate Studies: Prof. Aaron Fox, 804 Dodge; 212-854–7185; aaf19@columbia.edu
Music Humanities Chair: Prof. Benjamin Steege, 609 Dodge; 212-851-1750; benjamin.steege@columbia.edu
Music Performance Program Director: Magdalena Stern-Baczewska, 618A Dodge; 212-854-2348; mb3713@columbia.edu
The Study of Music
The music Major, Minor in Music and SEAS Music Minor provide aspiring music scholars and/or musicians with a wide range of ways to think about music (theoretical, historical, cultural, compositional and performance-related) and to concentrate on the aspects of music that most interest them—from popular to world music to computer music. Our faculty engage in cultural studies (i.e. Ethnomusicology) and with current literary theory, connect with faculty of other departments (i.e. English, Philosophy, and Psychology), and are on the cutting edge of technological change. Students who have a passion for music and who have already developed basic skills in areas including performance, music history, composition or ethnography, should consider a major or minor in music.
Music Major & Minors
The Department of Music at Columbia University and Barnard College currently offers undergraduate courses and programs of study (Major in Music, Minor in Music and SEAS Music Minor) for the four following schools: Columbia College, Barnard College, General Studies and the School of Engineering and Applied Sciences. Starting in the 2024 - 2025 academic year, the Concentration in Music will begin to be phased out.
Music Performance Program
The Music Performance Program (MPP) is a division of the Department of Music which supports music making of the highest caliber, by creating learning and performance opportunities for undergraduate students, regardless of their academic major. While we do not offer degrees in music performance, we provide a high-quality offering to student musicians from across Columbia University that includes a wide array of for-credit Classical, Jazz, Pop/Contemporary and World Music ensembles and lessons in addition to the Columbia University Orchestra. The Minor in Music, new in the 2024 - 2025 academic year, offers a Pathway in Performance.
For information on auditions, registration and other aspects of performance not included below, please contact contact Magdalena Stern-Baczewska, Director of the Music Performance Program or visit mpp.music.columbia.edu
Students with questions about the Columbia-Juilliard programs should consult Special Programs in this Bulletin or mpp.music.columbia.edu/content/columbia-juilliard-program
Lessons
Individual instrument lessons listed under Courses of Instruction are 6 hours per semester and are 1 credit courses. Voice lessons at Barnard College are 12 hours per semester and are 2 credit courses. There is a $300 lesson fee per semester for each instrumental lesson course (note that Columbia College, General Studies & SEAS students who receive institutional need based grants from Columbia will receive a credit for the music lesson fees as part of their financial aid package) and $500 per semester for each Barnard voice lesson course. Auditions are only offered in the fall semester and courses are a one year commitment. Lessons are graded as pass/fail only.
Ensembles
Participation in the following ensembles is open to all members of the University community. Students who wish to receive course credit may register for 1 point per semester for these courses as listed. Ensembles receive letter grades only.
See Music Performance Program website for audition and activity information about all of the below.
MasterClass
Performance Seminar MasterClass (MPP UN1601) is open to classical musicians of any instrument(s) with the highest commitment to performance. Students are admitted via live audition during the first week of classes in the Fall. Each week, two students perform repertoire of their choice for the class and receive feedback from everyone present. The discussions, moderated by the director of the Music Performance Program, Dr. Magdalena Stern-Baczewska, are designed to provide constructive criticism to the performers and to pose questions related to performance from the perspectives of musical interpretation, career management, professional collaboration, and pedagogy.
Practice Rooms
Please see Practice Rooms and Policies for the most up to date information.
Departmental Honors
For departmental honors, see the Director of Undergraduate Studies during the first week of the first semester of senior year. A formal written proposal is required. Normally no more than 10% of graduating majors receive departmental honors in a given academic year.
Professors
- Marcos Balter
- Susan Boynton
- Joseph Dubiel
- Walter Frisch
- Bradford Garton
- Giuseppe Gerbino
- Georg Friedrich Haas
- George Lewis
- Elaine Sisman
- Christopher Washburne
Associate Professors
- Alessandra Ciucci
- Kevin A. Fellezs
- Aaron Fox
- Mariusz Kozak
- Benjamin Steege
Assistant Professors
- Knar Abrahamyan
- Zosha Di Castri
- Julia Doe
- Ruth Opara
Lecturers & Sr. Lecturers
- Audrey Amsellem
- Nandini Banerjee
- Seth Cluett
- Scott Douglass
- Gabrielle Ferrari
- Saad Haddad
- Velia Ivanova
- Hannah Kendall
- Cheng Wei Lim
- Anna Meadors
- Jeffrey Milarsky
- Russell O'Rourke
- Magdalena Stern-Baczewska
- Peter Susser
- Lucy Turner
- Thomas Wetmore
Associates in Music Performance
- Sarah Adams
- Dmitry Alexeev
- Gail Archer (Barnard)
- Amadi Azikiwe
- Eliot Bailen
- Cyrus S. Beroukhim
- Allen Blustine
- Vicki Bodner
- Paul Bollenback
- Maja Cerar
- Vince Cherico
- Christine Correa
- Brad Gemeinhardt
- John David Gibson
- June Han
- Patrick Jee
- Sue Ann Kahn
- James Kerr
- Lisa Kim
- Louis Kosma
- David Krauss
- Yumi Kurosawa
- Ingrid Laubrock
- Mirna Lekic
- Victor Lin
- Lish Lindsey
- Paul-Martin Maki
- Ole Mathisen
- James Moore
- Ugonna Okegwo
- Muneko Otani
- Susan Palma-Nidel
- Adam Robinson
- Richard Rood
- Susan Rotholz
- Don Sickler
- Michael Skelly
- Ian Sullivan
- Helen Sung
- Kathleen Tagg
- Jessica Thompson
- Mark Timmerman
- Leo Traversa
- Reiko Uchida
- Jeffrey Warschauer
- James Wilson
On Leave
- George Lewis (2024 - 2025)
- Peter Susser (Spring '25)
Music Theory, Ear-Training & Language Guidelines for Music Majors and Minors
A program of study should be planned with the Director of Undergraduate Studies (DUS) in the first semester of the sophomore year.
Music Theory & Ear-Training
All music majors and existing concentrators are required to take the Music Theory sequence through Music Theory IV and the Ear-Training sequence through Ear-Training IV. These courses are optional for the new Minor in Music. Placement exams are given prior to your initial enrollment in both the Music Theory sequence and Ear-Training sequence, to determine at what level you will be placed in each. For students who do not place in Music Theory I and/or Ear Training I (or higher) on the placement exam, you must complete these pre-requisite course(s) before you can start the corresponding sequence(s). The pre-reqs do not count towards the points required for the major & concentration:
MUSI UN1002 FUNDAMENTALS OF MUSICand MUSI UN1312 INTRODUCTORY EAR-TRAINING.
Language Recommendations
For students who plan to do graduate work in music, studying German, French, Italian and/or Latin is recommended.
Major in Music
The major in music requires a minimum of 40 points, including the following courses:
Code | Title | Points |
---|---|---|
Required to complete up to Music Theory IV; Fundamentals pre-req required if you don't test into Music Theory I or higher: | ||
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
MUSI UN3322 | MUSIC THEORY IV | |
Required to complete up to Ear-Training IV; Intro Ear-Training pre-req required if you don't test into ET I or higher: | ||
MUSI UN1312 | INTRODUCTORY EAR-TRAINING | |
MUSI UN2314 | EAR-TRAINING I | |
MUSI UN2315 | EAR-TRAINING II | |
MUSI UN3316 | EAR-TRAINING III | |
MUSI UN3317 | EAR-TRAINING IV | |
Required to complete both History courses: | ||
MUSI UN3128 | HIST-WEST MUS: MID AGE-BAROQUE | |
MUSI UN3129 | HIST-WEST MUS:CLASSICAL-20TH CENTURY | |
Required to complete Topics course: | ||
MUSI UN3400 | TOPICS IN MUSIC & SOCIETY | |
Electives: At least two 3000- or 4000-level electives. | ||
The remaining points are to be earned through 1000-level MPP courses, 2000, 3000 or 4000-level courses subject to these constraints: | ||
1. No more than 6 points of 2000-level courses. | ||
2. No more than 4 points of 1000-level MPP courses (list below): |
Code | Title | Points |
---|---|---|
Performance Credit/MPP Courses | ||
MPP UN1401 | BASSOON INSTRUCTION | |
MPP UN1403 | CELLO INSTRUCTION | |
MPP UN1405 | CLARINET INSTRUCTION | |
MPP UN1407 | CLASSICAL SAXOPHONE INSTRUCTION | |
MPP UN1409 | FLUTE INSTRUCTION | |
MPP UN1411 | FRENCH HORN INSTRUCTION | |
MPP UN1413 | GUITAR (BLUEGRASS) INSTRUCTION | |
MPP UN1414 | Guitar (Popular-Contemporary) Instruction | |
MPP UN1415 | GUITAR (CLASSICAL) INSTRUCTION | |
MPP UN1417 | HARP INSTRUCTION | |
MPP UN1419 | OBOE INSTRUCTION | |
MPP UN1421 | ORGAN INSTRUCTION | |
MPP UN1423 | PERCUSSION INSTRUCTION | |
MPP UN1425 | PIANO INSTRUCTION | |
MPP UN1427 | STRING BASS INSTRUCTION | |
MPP UN1429 | TROMBONE INSTRUCTION | |
MPP UN1431 | TRUMPET INSTRUCTION | |
MPP UN1433 | TUBA INSTRUCTION | |
MPP UN1435 | VIOLA INSTRUCTION | |
MPP UN1437 | VIOLIN INSTRUCTION | |
MPP UN1443 | JAZZ BASS INSTRUCTION | |
MPP UN1445 | JAZZ BASS (ELECTRIC) INSTRUCTION | |
MPP UN1447 | JAZZ GUITAR (ELECTRIC) INSTRUCTION | |
MPP UN1449 | JAZZ ORCHESTRATION | |
MPP UN1451 | JAZZ PERCUSSION INSTRUCTION | |
MPP UN1453 | JAZZ PIANO INSTRUCTION | |
MPP UN1455 | JAZZ SAXOPHONE INSTRUCTION | |
MPP UN1457 | JAZZ TROMBONE INSTRUCTION | |
MPP UN1459 | JAZZ TRUMPET INSTRUCTION | |
MPP UN1461 | JAZZ VOICE INSTRUCTION | |
MPP UN1511 | COLLEGIUM MUSICUM | |
MPP UN1521 | UNIVERSITY ORCHESTRA I | |
MPP UN1531 | CHAMBER ENSEMBLE | |
MPP UN1541 | COLUMBIA UNIV JAZZ ENSEMBL | |
MPP UN1551 | WORLD MUSIC ENSEMBLE | |
MPP UN1601 | Performance Seminar MasterClass |
Minor in Music (New in 2024)
The new Minor in Music is organized around pathways of personal interest, designed with the guidance of an advisor in the Department of Music. Any combination of 15 credits from the Music course list will fulfill the minor. Of those 15 credits, up to 6 maximum performance credits, consisting of lessons and/or ensembles, are allowed for any pathway (please note students must audition and be accepted into the Music Performance Program in order to register for lessons and/or ensembles).
Below are recommended pathways that students can use as a guide if they have interest in the areas of Music Studies, Music Production, Jazz, Performance or Composition. The courses listed in these pathways are not required and serve only as suggestions to students with interests in these areas.
All students interested in the Minor in Music should reach out to the Director of Undergraduate Studies, who will refer you to an advisor.
Code | Title | Points |
---|---|---|
Pathway: Music Studies | ||
Required to complete one Theory course (determined by placement test): | ||
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
Required to complete one History course: | ||
MUSI UN3128 | HIST-WEST MUS: MID AGE-BAROQUE | |
MUSI UN3129 | HIST-WEST MUS:CLASSICAL-20TH CENTURY | |
Required to complete Topics course: | ||
MUSI UN3400 | TOPICS IN MUSIC & SOCIETY | |
Electives: One 1000- or 2000- or 3000- or 4000-level elective. | ||
Electives: One 1000- or 2000- or 3000- or 4000-level elective or three performance points from UN1401 - UN1461 and/or UN1511 - UN1551. |
Code | Title | Points |
---|---|---|
Pathway: Music Production | ||
Required to complete these three courses: | ||
MUSI UN2205 | INTRODUCTION TO DIGITAL MUSIC | |
MUSI UN2230 | History and Practice of Electronic Music | |
MUSI GU4630 | RECORDED SOUND | |
Required to complete three Ear-Training courses or one Music Theory course (determined by placement test): | ||
MUSI UN1312 | INTRODUCTORY EAR-TRAINING | |
MUSI UN2314 | EAR-TRAINING I | |
MUSI UN2315 | EAR-TRAINING II | |
MUSI UN3316 | EAR-TRAINING III | |
MUSI UN3317 | EAR-TRAINING IV | |
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
Electives: One 1000- or 2000- or 3000- or 4000-level elective. |
Code | Title | Points |
---|---|---|
Pathway: Jazz | ||
Required to complete these four courses: | ||
MUSI UN2016 | JAZZ | |
MUSI UN2582 | JAZZ IMPROVISTN:THRY,HIST,PRAC | |
MUSI GU4500 | JAZZ TRANSCRIPTION & ANALYSIS | |
MUSI GU4505 | JAZZ ARRANGING & COMPOSITION | |
Electives: Three performance points from UN1401 - UN1461 and/or UN1511 - UN1551. |
Code | Title | Points |
---|---|---|
Pathway: Performance | ||
Required: Six performance points from UN1401 - UN1461 and/or UN1511 - UN1551. | ||
Required to complete three Ear-Training courses (determined by placement test): | ||
MUSI UN1312 | INTRODUCTORY EAR-TRAINING | |
MUSI UN2314 | EAR-TRAINING I | |
MUSI UN2315 | EAR-TRAINING II | |
MUSI UN3316 | EAR-TRAINING III | |
MUSI UN3317 | EAR-TRAINING IV | |
Required to complete one Theory course (determined by placement test): | ||
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
Electives: One 1000- or 2000- or 3000- or 4000-level elective. |
Code | Title | Points |
---|---|---|
Pathway: Composition | ||
Required to complete one Theory course (determined by placement test): | ||
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
Electives: Two from the following courses: | ||
MUSI UN2240 | The Song Within Us: Composition, Analysis, Performance | |
MUSI UN3239 | INTRODUCTION TO COMPOSITION I | |
MUSI UN3241 | ADVANCED COMPOSITION I | |
Electives: One from the following courses: | ||
MUSI UN2205 | INTRODUCTION TO DIGITAL MUSIC | |
MUSI UN2230 | History and Practice of Electronic Music | |
MUSI GU4630 | RECORDED SOUND | |
MUSI GU4810 | Sound: Foundations | |
Electives: One from the following courses: | ||
MUSI GU4525 | INSTRUMENTATION | |
MUSI GU4526 ORCHESTRATION | ||
MUSI GU4515 | CONDUCTING MUSIC |
Code | Title | Points |
---|---|---|
Performance Credit/MPP Courses | ||
MPP UN1401 | BASSOON INSTRUCTION | |
MPP UN1403 | CELLO INSTRUCTION | |
MPP UN1405 | CLARINET INSTRUCTION | |
MPP UN1407 | CLASSICAL SAXOPHONE INSTRUCTION | |
MPP UN1409 | FLUTE INSTRUCTION | |
MPP UN1411 | FRENCH HORN INSTRUCTION | |
MPP UN1413 | GUITAR (BLUEGRASS) INSTRUCTION | |
MPP UN1414 | Guitar (Popular-Contemporary) Instruction | |
MPP UN1415 | GUITAR (CLASSICAL) INSTRUCTION | |
MPP UN1417 | HARP INSTRUCTION | |
MPP UN1419 | OBOE INSTRUCTION | |
MPP UN1421 | ORGAN INSTRUCTION | |
MPP UN1423 | PERCUSSION INSTRUCTION | |
MPP UN1425 | PIANO INSTRUCTION | |
MPP UN1427 | STRING BASS INSTRUCTION | |
MPP UN1429 | TROMBONE INSTRUCTION | |
MPP UN1431 | TRUMPET INSTRUCTION | |
MPP UN1433 | TUBA INSTRUCTION | |
MPP UN1435 | VIOLA INSTRUCTION | |
MPP UN1437 | VIOLIN INSTRUCTION | |
MPP UN1443 | JAZZ BASS INSTRUCTION | |
MPP UN1445 | JAZZ BASS (ELECTRIC) INSTRUCTION | |
MPP UN1447 | JAZZ GUITAR (ELECTRIC) INSTRUCTION | |
MPP UN1449 | JAZZ ORCHESTRATION | |
MPP UN1451 | JAZZ PERCUSSION INSTRUCTION | |
MPP UN1453 | JAZZ PIANO INSTRUCTION | |
MPP UN1455 | JAZZ SAXOPHONE INSTRUCTION | |
MPP UN1457 | JAZZ TROMBONE INSTRUCTION | |
MPP UN1459 | JAZZ TRUMPET INSTRUCTION | |
MPP UN1461 | JAZZ VOICE INSTRUCTION | |
MPP UN1511 | COLLEGIUM MUSICUM | |
MPP UN1521 | UNIVERSITY ORCHESTRA I | |
MPP UN1531 | CHAMBER ENSEMBLE | |
MPP UN1541 | COLUMBIA UNIV JAZZ ENSEMBL | |
MPP UN1551 | WORLD MUSIC ENSEMBLE | |
MPP UN1601 | Performance Seminar MasterClass |
Concentration in Music (For students who declared the concentration on or before the 2023-24 academic year)
The concentration in music requires a minimum of 28 points, including the following courses:
Code | Title | Points |
---|---|---|
Required to complete up to Music Theory IV; Fundamentals pre-req required if you don't test into Music Theory I or higher: | ||
MUSI UN1002 | FUNDAMENTALS OF MUSIC | |
MUSI UN2318 | MUSIC THEORY I | |
MUSI UN2319 | MUSIC THEORY II | |
MUSI UN3321 | MUSIC THEORY III | |
MUSI UN3322 | MUSIC THEORY IV | |
Required to complete up to Ear-Training IV; Intro Ear-Training pre-req required if you don't test into ET I or higher: | ||
MUSI UN1312 | INTRODUCTORY EAR-TRAINING | |
MUSI UN2314 | EAR-TRAINING I | |
MUSI UN2315 | EAR-TRAINING II | |
MUSI UN3316 | EAR-TRAINING III | |
MUSI UN3317 | EAR-TRAINING IV | |
MUSI GU4318 | Ear Training, V | |
Required to complete both History courses: | ||
MUSI UN3128 | HIST-WEST MUS: MID AGE-BAROQUE | |
MUSI UN3129 | HIST-WEST MUS:CLASSICAL-20TH CENTURY | |
Required to complete Topics course: | ||
MUSI UN3400 | TOPICS IN MUSIC & SOCIETY | |
Electives: At least one 3000- or 4000-level electives. | ||
The remaining points are to be earned through 1000-level MPP courses, 2000, 3000 or 4000-level courses subject to these constraints: | ||
No more than 6 points of 2000-level courses. | ||
No more than 4 points of 1000-level MPP courses (list below): |
Code | Title | Points |
---|---|---|
Performance Credit/MPP Courses | ||
MPP UN1401 | BASSOON INSTRUCTION | |
MPP UN1403 | CELLO INSTRUCTION | |
MPP UN1405 | CLARINET INSTRUCTION | |
MPP UN1407 | CLASSICAL SAXOPHONE INSTRUCTION | |
MPP UN1409 | FLUTE INSTRUCTION | |
MPP UN1411 | FRENCH HORN INSTRUCTION | |
MPP UN1413 | GUITAR (BLUEGRASS) INSTRUCTION | |
MPP UN1414 | Guitar (Popular-Contemporary) Instruction | |
MPP UN1415 | GUITAR (CLASSICAL) INSTRUCTION | |
MPP UN1417 | HARP INSTRUCTION | |
MPP UN1419 | OBOE INSTRUCTION | |
MPP UN1421 | ORGAN INSTRUCTION | |
MPP UN1423 | PERCUSSION INSTRUCTION | |
MPP UN1425 | PIANO INSTRUCTION | |
MPP UN1427 | STRING BASS INSTRUCTION | |
MPP UN1429 | TROMBONE INSTRUCTION | |
MPP UN1431 | TRUMPET INSTRUCTION | |
MPP UN1433 | TUBA INSTRUCTION | |
MPP UN1435 | VIOLA INSTRUCTION | |
MPP UN1437 | VIOLIN INSTRUCTION | |
MPP UN1443 | JAZZ BASS INSTRUCTION | |
MPP UN1445 | JAZZ BASS (ELECTRIC) INSTRUCTION | |
MPP UN1447 | JAZZ GUITAR (ELECTRIC) INSTRUCTION | |
MPP UN1449 | JAZZ ORCHESTRATION | |
MPP UN1451 | JAZZ PERCUSSION INSTRUCTION | |
MPP UN1453 | JAZZ PIANO INSTRUCTION | |
MPP UN1455 | JAZZ SAXOPHONE INSTRUCTION | |
MPP UN1457 | JAZZ TROMBONE INSTRUCTION | |
MPP UN1459 | JAZZ TRUMPET INSTRUCTION | |
MPP UN1461 | JAZZ VOICE INSTRUCTION | |
MPP UN1511 | COLLEGIUM MUSICUM | |
MPP UN1521 | UNIVERSITY ORCHESTRA I | |
MPP UN1531 | CHAMBER ENSEMBLE | |
MPP UN1541 | COLUMBIA UNIV JAZZ ENSEMBL | |
MPP UN1551 | WORLD MUSIC ENSEMBLE | |
MPP UN1601 | Performance Seminar MasterClass |
Fall 2024
MUSI UN1002 FUNDAMENTALS OF MUSIC. 3.00 points.
Introduction to music, including notation, written and aural skills, and basic conceptual resources of music theory. Exploration of scale, mode, rhythm, meter, texture and form, with reference to a diverse range of musics.
Fall 2024: MUSI UN1002
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 1002 | 001/10060 | M W 1:10pm - 2:25pm 814 Dodge Building |
Rebecca Zola | 3.00 | 23/24 |
Spring 2025: MUSI UN1002
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 1002 | 001/10755 | M W 1:10pm - 2:25pm 622 Dodge Building |
Imogen Wilson | 3.00 | 24/24 |
HUMA UN1123 MASTERPIECES OF WESTERN MUSIC. 3.00 points.
Analysis and discussion of representative works from the Middle Ages to the present
Fall 2024: HUMA UN1123
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
HUMA 1123 | 001/10753 | M W 8:40am - 9:55am 404 Dodge Building |
Kristy Barbacane | 3.00 | 25/25 |
HUMA 1123 | 002/10757 | M W 8:40am - 9:55am 405 Dodge Building |
Gabrielle Ferrari | 3.00 | 23/25 |
HUMA 1123 | 003/10758 | M W 8:40am - 9:55am 716 Hamilton Hall |
Calder Hannan | 3.00 | 25/25 |
HUMA 1123 | 004/10759 | M W 10:10am - 11:25am 404 Dodge Building |
Mariusz Kozak | 3.00 | 25/25 |
HUMA 1123 | 005/10760 | M W 10:10am - 11:25am 405 Dodge Building |
Gabrielle Ferrari | 3.00 | 25/25 |
HUMA 1123 | 006/10761 | M W 10:10am - 11:25am 716 Hamilton Hall |
Galen DeGraf | 3.00 | 22/25 |
HUMA 1123 | 007/10762 | M W 1:10pm - 2:25pm 404 Dodge Building |
Mariusz Kozak | 3.00 | 25/25 |
HUMA 1123 | 008/10763 | M W 1:10pm - 2:25pm 716 Hamilton Hall |
Audrey Amsellem | 3.00 | 24/25 |
HUMA 1123 | 009/10764 | M W 2:40pm - 3:55pm 404 Dodge Building |
Hannah Kendall | 3.00 | 25/25 |
HUMA 1123 | 010/10765 | M W 2:40pm - 3:55pm 405 Dodge Building |
Thomas Wetmore | 3.00 | 23/25 |
HUMA 1123 | 011/10766 | M W 2:40pm - 3:55pm 716 Hamilton Hall |
Audrey Amsellem | 3.00 | 25/25 |
HUMA 1123 | 012/10767 | M W 4:10pm - 5:25pm 404 Dodge Building |
Hannah Kendall | 3.00 | 24/25 |
HUMA 1123 | 013/10768 | M W 4:10pm - 5:25pm 405 Dodge Building |
Kathryn Cooke | 3.00 | 25/25 |
HUMA 1123 | 014/10769 | M W 4:10pm - 5:25pm 716 Hamilton Hall |
Diana Rodriguez | 3.00 | 25/25 |
HUMA 1123 | 015/10770 | M W 5:40pm - 6:55pm 404 Dodge Building |
Ralph Whyte | 3.00 | 24/25 |
HUMA 1123 | 016/10771 | M W 5:40pm - 6:55pm 405 Dodge Building |
David Farrow | 3.00 | 25/25 |
HUMA 1123 | 017/10772 | M W 5:40pm - 6:55pm 716 Hamilton Hall |
Manuel Garcia Orozco | 3.00 | 25/25 |
HUMA 1123 | 018/10773 | T Th 8:40am - 9:55am 404 Dodge Building |
Knar Abrahamyan | 3.00 | 24/25 |
HUMA 1123 | 019/10774 | T Th 8:40am - 9:55am 405 Dodge Building |
Madeleine Turner | 3.00 | 25/25 |
HUMA 1123 | 020/10775 | T Th 8:40am - 9:55am 716 Hamilton Hall |
Benjamin Steege | 3.00 | 25/25 |
HUMA 1123 | 021/10776 | T Th 10:10am - 11:25am 404 Dodge Building |
Scott Douglass | 3.00 | 25/25 |
HUMA 1123 | 022/10777 | T Th 10:10am - 11:25am 405 Dodge Building |
Madeleine Turner | 3.00 | 25/25 |
HUMA 1123 | 023/10778 | T Th 10:10am - 11:25am 716 Hamilton Hall |
Joshua Navon | 3.00 | 25/25 |
HUMA 1123 | 024/10779 | T Th 11:40am - 12:55pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 24/25 |
HUMA 1123 | 025/10780 | T Th 1:10pm - 2:25pm 404 Dodge Building |
Julia Doe | 3.00 | 25/25 |
HUMA 1123 | 026/10781 | T Th 1:10pm - 2:25pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 23/25 |
HUMA 1123 | 027/10782 | T Th 2:40pm - 3:55pm 404 Dodge Building |
Sasha Doster | 3.00 | 25/25 |
HUMA 1123 | 028/10783 | T Th 2:40pm - 3:55pm 405 Dodge Building |
Saad Haddad | 3.00 | 25/25 |
HUMA 1123 | 029/10784 | T Th 2:40pm - 3:55pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 24/25 |
HUMA 1123 | 030/10785 | T Th 4:10pm - 5:25pm 404 Dodge Building |
Elaine Sisman | 3.00 | 25/25 |
HUMA 1123 | 031/10786 | T Th 4:10pm - 5:25pm 405 Dodge Building |
Saad Haddad | 3.00 | 25/25 |
HUMA 1123 | 032/10787 | T Th 4:10pm - 5:25pm 716 Hamilton Hall |
Ryan Pratt | 3.00 | 25/25 |
HUMA 1123 | 033/10788 | T Th 5:40pm - 6:55pm 404 Dodge Building |
Marilyn McCoy | 3.00 | 24/25 |
HUMA 1123 | 034/10789 | T Th 5:40pm - 6:55pm 405 Dodge Building |
Ashkan Behzadi | 3.00 | 23/25 |
HUMA 1123 | 035/10790 | T Th 5:40pm - 6:55pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 24/25 |
HUMA 1123 | JE1/21646 | T 4:00pm - 6:00pm Othr Other |
Audrey Amsellem | 3.00 | 0/7 |
Spring 2025: HUMA UN1123
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
HUMA 1123 | 001/10719 | M W 8:40am - 9:55am 404 Dodge Building |
Amanda Morrill | 3.00 | 21/21 |
HUMA 1123 | 002/10720 | M W 8:40am - 9:55am 405 Dodge Building |
Calder Hannan | 3.00 | 21/21 |
HUMA 1123 | 003/10721 | M W 8:40am - 9:55am 716 Hamilton Hall |
Gabrielle Ferrari | 3.00 | 21/21 |
HUMA 1123 | 004/10722 | M W 10:10am - 11:25am 404 Dodge Building |
Mariusz Kozak | 3.00 | 21/21 |
HUMA 1123 | 005/10723 | M W 10:10am - 11:25am 405 Dodge Building |
Julia Doe | 3.00 | 21/21 |
HUMA 1123 | 006/10724 | M W 10:10am - 11:25am 716 Hamilton Hall |
Gabrielle Ferrari | 3.00 | 21/21 |
HUMA 1123 | 007/10725 | M W 1:10pm - 2:25pm 404 Dodge Building |
Mariusz Kozak | 3.00 | 21/21 |
HUMA 1123 | 008/10726 | M W 1:10pm - 2:25pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 21/21 |
HUMA 1123 | 009/10727 | M W 2:40pm - 3:55pm 404 Dodge Building |
Ruth Opara | 3.00 | 21/21 |
HUMA 1123 | 010/10728 | M W 2:40pm - 3:55pm 405 Dodge Building |
Audrey Amsellem | 3.00 | 21/21 |
HUMA 1123 | 011/10729 | M W 2:40pm - 3:55pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 21/21 |
HUMA 1123 | 012/10730 | M W 4:10pm - 5:25pm 404 Dodge Building |
Giuseppe Gerbino | 3.00 | 21/21 |
HUMA 1123 | 013/10731 | M W 4:10pm - 5:25pm 405 Dodge Building |
Audrey Amsellem | 3.00 | 21/21 |
HUMA 1123 | 014/10732 | M W 4:10pm - 5:25pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 21/21 |
HUMA 1123 | 015/10733 | M W 5:40pm - 6:55pm 404 Dodge Building |
3.00 | 21/21 | |
HUMA 1123 | 016/10734 | M W 5:40pm - 6:55pm 405 Dodge Building |
Manuel Garcia Orozco | 3.00 | 21/21 |
HUMA 1123 | 017/10735 | M W 5:40pm - 6:55pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 21/21 |
HUMA 1123 | 018/10736 | T Th 8:40am - 9:55am 404 Dodge Building |
Madeleine Turner | 3.00 | 21/21 |
HUMA 1123 | 019/10737 | T Th 8:40am - 9:55am 405 Dodge Building |
Scott Douglass | 3.00 | 21/21 |
HUMA 1123 | 020/10738 | T Th 8:40am - 9:55am 716 Hamilton Hall |
Nandini Banerjee-Datta | 3.00 | 21/21 |
HUMA 1123 | 021/10739 | T Th 10:10am - 11:25am 404 Dodge Building |
Madeleine Turner | 3.00 | 21/21 |
HUMA 1123 | 022/10740 | T Th 10:10am - 11:25am 405 Dodge Building |
Walter Frisch | 3.00 | 21/21 |
HUMA 1123 | 023/10741 | T Th 10:10am - 11:25am 716 Hamilton Hall |
Nandini Banerjee-Datta | 3.00 | 21/21 |
HUMA 1123 | 024/10742 | T Th 11:40am - 12:55pm 716 Hamilton Hall |
Knar Abrahamyan | 3.00 | 21/21 |
HUMA 1123 | 025/10743 | T Th 1:10pm - 2:25pm 404 Dodge Building |
Christopher Washburne | 3.00 | 21/21 |
HUMA 1123 | 026/10744 | T Th 1:10pm - 2:25pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 21/21 |
HUMA 1123 | 027/10745 | T Th 2:40pm - 3:55pm 404 Dodge Building |
Joshua Navon | 3.00 | 21/21 |
HUMA 1123 | 028/10746 | T Th 2:40pm - 3:55pm 405 Dodge Building |
Hannah Kendall | 3.00 | 21/21 |
HUMA 1123 | 029/10747 | T Th 2:40pm - 3:55pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 21/21 |
HUMA 1123 | 030/10748 | T Th 4:10pm - 5:25pm 404 Dodge Building |
Sasha Doster | 3.00 | 21/21 |
HUMA 1123 | 031/10749 | T Th 4:10pm - 5:25pm 405 Dodge Building |
Hannah Kendall | 3.00 | 21/21 |
HUMA 1123 | 032/10750 | T Th 4:10pm - 5:25pm 716 Hamilton Hall |
Phoenix Collins-Sadriyoun | 3.00 | 21/21 |
HUMA 1123 | 033/10751 | T Th 5:40pm - 6:55pm 404 Dodge Building |
Marilyn McCoy | 3.00 | 21/21 |
HUMA 1123 | 034/10752 | T Th 5:40pm - 6:55pm 405 Dodge Building |
David Farrow | 3.00 | 21/21 |
HUMA 1123 | 035/10753 | T Th 5:40pm - 6:55pm 716 Hamilton Hall |
Diana Rodriguez | 3.00 | 21/21 |
MUSI UN1312 INTRODUCTORY EAR-TRAINING. 1.00 point.
This course is an introduction to basic skills in sight reading. Instruction includes reading rhythms in simple meter, solfege recitation, and sight-singing simple melodies
Fall 2024: MUSI UN1312
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 1312 | 001/10061 | M W 12:10pm - 1:00pm 404 Dodge Building |
Sadie Dawkins | 1.00 | 12/14 |
Spring 2025: MUSI UN1312
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 1312 | 001/10827 | M W 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 0/14 |
MUSI UN2010 ROCK. 3.00 points.
How did Elvis become the “King of Rock’n’Roll” instead of, for example, Chuck Berry? Who are LaVern Baker, Sister Rosetta Tharpe, and Etta James and what do they have to do with rock and roll? Why and how did “rock and roll” become “rock”? What are the relationships among rock, rhythm and blues, soul, and funk? What do classical music composers such as J.S. Bach, Modest Mussorgsky, and Philip Glass have to do with rock? How many times has rock “died”? What is rock music’s relevance both historically and today? This course will introduce you to popular music studies, a field of inquiry that draws scholars from a number of different disciplines, including musicology, sociology, philosophy, anthropology and literature. Examining rock music in an interdisciplinary way has opened the genre to increasing attention beyond musicological methodologies and assumptions. First, however, we must ask some fundamental questions: for instance, what, exactly, is popular music as well as, importantly, what differentiates rock music from other genres? Our definitions will reveal some of the assumptions we bring to any discussion of popular music. Throughout this semester, we will question our assumptions about rock music culture through an investigation into a series of keywords. Each keyword will focus our attention on various aspects of rock music in order to think through the complexities of what might, on the surface, seem self-evident. Terms such as “genre” or “the everyday” will be examined to help us gain critical analytical tools with which to assess various rock music productions, artists, and processes
Fall 2024: MUSI UN2010
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2010 | 001/11802 | M 4:10pm - 6:40pm 622 Dodge Building |
Kevin Fellezs | 3.00 | 31/40 |
MUSI UN2020 SALSA, SOCA & REGGAE. 3.00 points.
CC/GS/SEAS: Partial Fulfillment of Global Core Requirement
A survey of the major syncretic urban popular music styles of the Caribbean, exploring their origins, development, and sociocultural context.
Fall 2024: MUSI UN2020
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2020 | 001/10062 | T Th 1:10pm - 2:25pm Cin Alfred Lerner Hall |
Christopher Washburne | 3.00 | 305/300 |
MUSI UN2021 MUSIC IN CONTEMP NATIVE AMER. 3.00 points.
Music in Contemporary Native America is a historical, ethnographic, and topical examination of contemporary Native American musical practices and ideologies. The course emphasizes popular, vernacular, and mass mediated musics, and calls into question the simple distinction between traditional and modern aspects of Native American cultures. Our readings and class guests (several of whom will be Native American scholars) emphasize the importance of understanding Native 2 American perspectives on these topics. Three short papers and one substantial final project are required. Approximately 100-150 pages of reading per week
Fall 2024: MUSI UN2021
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2021 | 001/10063 | T Th 1:10pm - 2:25pm 701c Dodge Building |
Aaron Fox | 3.00 | 2/25 |
MUSI 2021 | AU1/19417 | T Th 1:10pm - 2:25pm Othr Other |
Aaron Fox | 3.00 | 3/3 |
MUSI UN2205 INTRODUCTION TO DIGITAL MUSIC. 3.00 points.
Prerequisites: HUMA W1123 or the equivalent, and the instructor's permission.
An introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment. Permission of Instructor required to enroll. Music Majors have priority for enrollment
Fall 2024: MUSI UN2205
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2205 | 001/10065 | T Th 1:10pm - 2:25pm 320h Prentis Hall |
Anna Meadors | 3.00 | 17/18 |
MUSI 2205 | 002/10066 | M W 11:40am - 12:55pm 320h Prentis Hall |
Anna Meadors | 3.00 | 17/18 |
MUSI 2205 | 003/17469 | F 1:10pm - 4:00pm 320h Prentis Hall |
Danielle Dobkin | 3.00 | 9/18 |
Spring 2025: MUSI UN2205
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2205 | 001/11755 | M W 10:10am - 11:25am 320h Prentis Hall |
Anna Meadors | 3.00 | 1/16 |
MUSI 2205 | 002/11758 | T Th 1:10pm - 2:25pm 320h Prentis Hall |
Nina Fukuoka | 3.00 | 6/16 |
MUSI 2205 | 003/11750 | F 1:10pm - 4:00pm 320h Prentis Hall |
Danielle Dobkin | 3.00 | 10/16 |
MUSI UN2230 History and Practice of Electronic Music. 3.00 points.
This course will provide a critical survey of the development of electronic and computer music and sound from around the globe. From early experiments and precursors in the late 19th century through to modern-day experimental and popular music practices, this course aims to trace the development of technologies used in the production of electronic and computer derived sound and music alongside the economic, cultural, and social forces that contribute to the development of audiences. The course will focus intently on listening through a series of curated playlists in an effort to unpack style and genre distinctions. Readings and listening examples will be paired with small, hands-on assignments, that demonstrate the effect of music making tools on the process and structure of musical genres and styles ranging from the experimental practices of musique concrete, drone, and harsh noise to the mainstream practices of dub, techno, vaporwave, hyperpop, and hip hop and more
Fall 2024: MUSI UN2230
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2230 | 001/10067 | T Th 2:40pm - 3:55pm 407 Mathematics Building |
Seth Cluett | 3.00 | 30/30 |
MUSI UN2314 EAR-TRAINING I. 1.00 point.
Designed to improve the students basic skills in sight-singing, and rhythmic and melodic dictation with an introduction to four-part harmonic dictation
Fall 2024: MUSI UN2314
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2314 | 001/10068 | T Th 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 6/14 |
MUSI 2314 | 002/10069 | M W 12:10pm - 1:00pm 405 Dodge Building |
Ramin Amir Arjomand | 1.00 | 6/14 |
Spring 2025: MUSI UN2314
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2314 | 001/10828 | T Th 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 0/14 |
MUSI UN2315 EAR-TRAINING II. 1.00 point.
Techniques of sight-singing and dictation of diatonic melodies in simple and compound meter with strong emphasis on harmonic dictation
Fall 2024: MUSI UN2315
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2315 | 001/10070 | T Th 12:10pm - 1:00pm 622 Dodge Building |
Michael Joviala | 1.00 | 10/14 |
Spring 2025: MUSI UN2315
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2315 | 001/10829 | M W 12:10pm - 1:00pm 405 Dodge Building |
Sadie Dawkins | 1.00 | 4/14 |
MUSI 2315 | 002/10830 | T Th 12:10pm - 1:00pm 405 Dodge Building |
Sadie Dawkins | 1.00 | 2/14 |
MUSI UN2318 MUSIC THEORY I. 3.00 points.
Prerequisites: MUSI V1002 or the equivalent, as well as placement exam administered in the first class meeting every semester the course is offered. (Through Spring 2014, this course was entitled Diatonic Harmony and Counterpoint I.)
Elementary analysis and composition in a variety of modal and tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Fall 2024: MUSI UN2318
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2318 | 001/10071 | T Th 1:10pm - 2:25pm 405 Dodge Building |
Peter Susser | 3.00 | 11/20 |
Spring 2025: MUSI UN2318
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2318 | 001/11316 | M W 1:10pm - 2:25pm 405 Dodge Building |
Cheng Lim | 3.00 | 8/20 |
MUSI UN2319 MUSIC THEORY II. 3.00 points.
Prerequisites: MUSI V2318.
Elementary analysis and composition in a variety of tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Fall 2024: MUSI UN2319
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2319 | 001/10072 | M W 1:10pm - 2:25pm 405 Dodge Building |
Cheng Lim | 3.00 | 16/20 |
Spring 2025: MUSI UN2319
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2319 | 001/11317 | T Th 1:10pm - 2:25pm 405 Dodge Building |
Knar Abrahamyan | 3.00 | 4/20 |
MUSI UN3036 SCHUBERT'S ROMANTIC CYCLES. 3.00 points.
Fall 2024: MUSI UN3036
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3036 | 001/10298 | T Th 2:40pm - 3:55pm 620 Dodge Building |
Elaine Sisman | 3.00 | 2/25 |
MUSI 3036 | AU1/19285 | T Th 2:40pm - 3:55pm Othr Other |
Elaine Sisman | 3.00 | 8/8 |
MUSI UN3128 HIST-WEST MUS: MID AGE-BAROQUE. 3.00 points.
Prerequisites: MUSI V2318-V2319. May be taken before or concurrently with this course.
Prerequisites: MUSI UN2318 - MUSI UN2319. May be taken before or concurrently with this course. Topics in Western music from Antiquity through Bach and Handel, focusing on the development of musical style and thought, and analysis of selected works
Fall 2024: MUSI UN3128
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3128 | 001/10073 | T Th 2:40pm - 3:55pm 622 Dodge Building |
Russell O'Rourke | 3.00 | 22/35 |
MUSI UN3213 Bach Interpretation for Performers. 3.00 points.
This course will explore the music of Johann Sebastian Bach from the perspective of performance. Attention will be given to Baroque dance forms and the social significance of dance in the 18th century, the art of rhetoric as a driving force for convincing delivery, an exploration of period instruments, and the study of elements of style such as articulation and ornamentation. The course consists of lectures, discussions, guided listening, score analysis, reading assignments, and performance projects. Aside from Bach’s scores, we will examine three key 17th- and 18th-century vocal and instrumental treatises, and a wide array of literature on rhetorical style and performance practice. Upon successful completion of the course, students will gain a deeper understanding of interpreting the music of J.S. Bach and Baroque music in general, both as listeners and as performers
Fall 2024: MUSI UN3213
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3213 | 001/10080 | M W 2:40pm - 3:55pm 620 Dodge Building |
Magdalena Baczewska | 3.00 | 9/14 |
MUSI UN3241 ADVANCED COMPOSITION I. 3.00 points.
Composition Faculty
Prerequisites: MUSI V3310 or the instructor's permission.
Composition in more extended forms. Study of advanced techniques of contemporary composition. Readings of student works
Fall 2024: MUSI UN3241
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3241 | 001/10058 | M W 10:10am - 11:25am 620 Dodge Building |
Zosha Di Castri | 3.00 | 7/12 |
MUSI UN3316 EAR-TRAINING III. 1.00 point.
Sight-singing techniques of modulating diatonic melodies in simple, compound, or irregular meters that involve complex rhythmic patterns. Emphasis is placed on four-part harmonic dictation of modulating phrases
Fall 2024: MUSI UN3316
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3316 | 001/10074 | M W 12:10pm - 1:00pm 620 Dodge Building |
Peter Susser | 1.00 | 15/18 |
Spring 2025: MUSI UN3316
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3316 | 001/10831 | M W 12:10pm - 1:00pm 814 Dodge Building |
Ramin Amir Arjomand | 1.00 | 2/14 |
MUSI UN3317 EAR-TRAINING IV. 1.00 point.
Techniques of musicianship at the intermediate level, stressing the importance of musical nuances in sight-singing. Emphasis is placed on chromatically inflected four-part harmonic dictation
Fall 2024: MUSI UN3317
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3317 | 001/10075 | T Th 12:10pm - 1:00pm 405 Dodge Building |
Peter Susser | 1.00 | 10/14 |
Spring 2025: MUSI UN3317
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3317 | 001/10832 | T Th 12:10pm - 1:00pm 814 Dodge Building |
Michael Joviala | 1.00 | 4/14 |
AHMM UN3321 MUSICS OF INDIA & WEST ASIA. 3.00 points.
CC/GS/SEAS: Partial Fulfillment of Global Core Requirement
A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations
Fall 2024: AHMM UN3321
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
AHMM 3321 | 001/10053 | M W 10:10am - 11:25am 622 Dodge Building |
Thomas Wetmore | 3.00 | 21/25 |
AHMM 3321 | 002/10054 | M W 5:40pm - 6:55pm 620 Dodge Building |
Nandini Banerjee-Datta | 3.00 | 20/25 |
AHMM 3321 | 003/10055 | T Th 10:10am - 11:25am 622 Dodge Building |
Nandini Banerjee-Datta | 3.00 | 22/25 |
AHMM 3321 | 004/10056 | T Th 5:40pm - 6:55pm 622 Dodge Building |
Alessandra Ciucci | 3.00 | 22/25 |
MUSI UN3321 MUSIC THEORY III. 3 points.
A one-hour weekly lab is required, to be scheduled at the beginning of the term.
Prerequisites: MUSI V2319.
Intermediate analysis and composition in a variety of tonal idioms.
Fall 2024: MUSI UN3321
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3321 | 001/10076 | M W 1:10pm - 2:25pm 620 Dodge Building |
Joseph Dubiel | 3 | 14/20 |
Spring 2025: MUSI UN3321
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3321 | 001/11318 | T Th 1:10pm - 2:25pm 622 Dodge Building |
Cheng Lim | 3 | 13/20 |
MUSI UN3322 MUSIC THEORY IV. 3.00 points.
Prerequisites: MUSI V3321.
Intermediate analysis and composition in a variety of tonal and extended tonal idioms.
Fall 2024: MUSI UN3322
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3322 | 001/10077 | T Th 1:10pm - 2:25pm 622 Dodge Building |
Cheng Lim | 3.00 | 2/20 |
Spring 2025: MUSI UN3322
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3322 | 001/11320 | M W 1:10pm - 2:25pm 814 Dodge Building |
Calder Hannan | 3.00 | 9/20 |
MUSI UN3326 Genre in Popular Music. 3.00 points.
Genre greatly shapes the way music is created, produced, marketed, and consumed. And yet, genre is more than just a tool to categorize music: These groupings often reveal complex socio-cultural constructs that replicate cultural beliefs about identity and society. This course explores genre as a multifaceted concept within 20th- and 21st- century popular music in the U.S. by examining how these categories are socially and musically constructed, defined, and transformed throughout history. This course investigates how genre has changed from the time of vinyl records to streaming platforms through a blend of lectures, discussions, and listening sessions. We will explore how scholars across numerous disciplines conceive of genre in popular music through interdisciplinary readings and writing activities. This course promises to broaden your understanding of genre while enhancing your personal listening practice as we unravel the tapestry to reveal how genre shapes the musical world around us—all the while exploring if genre truly matters. There are no prerequisites, and a prior knowledge of music or ability to read Western music notation is not required
MUSI UN3400 TOPICS IN MUSIC & SOCIETY. 3.00 points.
Music Majors and Concentrators.
This course seeks to approach the study of music and society by comparatively studying repertories from different parts of the world, how the history of ideas and methods of studying such repertoires shaped them, the practices that constitute them and the ways they are understood and used by different peoples. Central to this course is the interrelationship between the constitution of a repertoire and the history of the construction of knowledge about it.
Fall 2024: MUSI UN3400
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3400 | 001/10078 | T Th 4:10pm - 5:25pm 622 Dodge Building |
Ruth Opara | 3.00 | 17/25 |
Spring 2025: MUSI UN3400
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3400 | 001/11772 | Th 4:10pm - 6:40pm 620 Dodge Building |
Kevin Fellezs | 3.00 | 25/25 |
MUSI UN3995 HONORS RESEARCH. 2.00-3.00 points.
Open to honors candidates in music only.
Prerequisites: a formal proposal to be submitted and approved prior to registration; see the director of undergraduate studies for details.
Prerequisites: a formal proposal to be submitted and approved prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision, leading to completion of an honors essay, composition, or the equivalent
Fall 2024: MUSI UN3995
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3995 | 001/10094 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3995 | 002/10095 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3995 | 003/10096 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3995 | 004/10097 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3995 | 006/10098 | |
Kevin Fellezs | 2.00-3.00 | 1/5 |
MUSI 3995 | 007/10099 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3995 | 008/10100 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3995 | 009/10101 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3995 | 010/10102 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3995 | 011/10103 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3995 | 012/10104 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3995 | 013/10105 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3995 | 015/10106 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3995 | 016/10107 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3995 | 017/10108 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3995 | 018/10109 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3995 | 019/10110 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3995 | 020/10111 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3995 | 021/10112 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3995 | 022/10113 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3995 | 023/10159 | |
Ruth Opara | 2.00-3.00 | 0/5 |
Spring 2025: MUSI UN3995
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3995 | 001/11418 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3995 | 002/11419 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3995 | 003/11420 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3995 | 004/11421 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3995 | 005/11422 | |
Joseph Dubiel | 2.00-3.00 | 0/5 |
MUSI 3995 | 006/11423 | |
Kevin Fellezs | 2.00-3.00 | 1/5 |
MUSI 3995 | 007/11424 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3995 | 008/11425 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3995 | 009/11426 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3995 | 010/11427 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3995 | 011/11428 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3995 | 012/11429 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3995 | 013/11430 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3995 | 014/11431 | |
George Lewis | 2.00-3.00 | 0/5 |
MUSI 3995 | 015/11432 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3995 | 016/11433 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3995 | 017/11434 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3995 | 018/11435 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3995 | 019/11436 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3995 | 020/11437 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3995 | 021/11438 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3995 | 022/11439 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3995 | 023/11440 | |
Ruth Opara | 2.00-3.00 | 0/5 |
MUSI UN3998 SUPERVISED INDEPENDENT STUDY. 2.00-3.00 points.
Prerequisites: approval prior to registration; see the director of undergraduate studies for details.
Prerequisites: approval prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision
Fall 2024: MUSI UN3998
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3998 | 001/10114 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3998 | 002/10115 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3998 | 003/10116 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3998 | 004/10117 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3998 | 006/10118 | |
Aaron Fox | 2.00-3.00 | 1/5 |
MUSI 3998 | 007/10119 | |
Kevin Fellezs | 2.00-3.00 | 0/5 |
MUSI 3998 | 008/10120 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3998 | 009/10121 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3998 | 010/10122 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3998 | 011/10123 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3998 | 012/10124 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3998 | 013/10125 | |
Mariusz Kozak | 2.00-3.00 | 1/5 |
MUSI 3998 | 015/10126 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3998 | 016/10127 | |
Seth Cluett | 2.00-3.00 | 4/5 |
MUSI 3998 | 017/10128 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3998 | 018/10129 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3998 | 019/10130 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3998 | 020/10131 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3998 | 021/10132 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3998 | 022/10133 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3998 | 023/10160 | |
Ruth Opara | 2.00-3.00 | 0/5 |
Spring 2025: MUSI UN3998
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3998 | 001/11463 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3998 | 002/11464 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3998 | 003/11465 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3998 | 004/11466 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3998 | 005/11467 | |
Joseph Dubiel | 2.00-3.00 | 0/5 |
MUSI 3998 | 006/11468 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3998 | 007/11470 | |
Kevin Fellezs | 2.00-3.00 | 0/5 |
MUSI 3998 | 008/11471 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3998 | 009/11472 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3998 | 010/11473 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3998 | 011/11477 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3998 | 012/11478 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3998 | 013/11479 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3998 | 014/11480 | |
George Lewis | 2.00-3.00 | 0/5 |
MUSI 3998 | 015/11482 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3998 | 016/11484 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3998 | 017/11485 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3998 | 018/11486 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3998 | 019/11487 | |
Magdalena Baczewska | 2.00-3.00 | 1/5 |
MUSI 3998 | 020/11488 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3998 | 021/11489 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3998 | 024/11492 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3998 | 025/11493 | |
Ruth Opara | 2.00-3.00 | 0/5 |
MUSI GU4108 Critical Approaches to Opera Studies. 3.00 points.
Why opera now? In what ways can a 400-year-old art form speak to the needs of contemporary society? This seminar provides an introduction to critical opera studies: we will analyze a broad range of lyric repertory (spanning from Monteverdi to Saariaho) while interrogating the debates these works have generated, both historically and in the present day. Topics to be considered include: operatic institutions and conventions; gender and voice; theories of “text” and liveness; modernist staging; the troubling legacies of Empire and exoticism; and the intersections of opera and multimedia (opera on/as film, opera in HD, site-specific opera). Wherever possible, this course will incorporate live performance in New York, engaging the Metropolitan Opera as well as institutions for “indie” opera and new music. While completion of Music Humanities is a suggested pre-requisite, this class welcomes interdisciplinary perspectives. Individual assignments may be tailored to accommodate student interests and backgrounds outside of the field of music
Fall 2024: MUSI GU4108
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4108 | 001/10081 | Th 4:10pm - 6:00pm 620 Dodge Building |
Julia Doe | 3.00 | 13/15 |
MUSI 4108 | AU1/21421 | Th 4:10pm - 6:00pm Othr Other |
Julia Doe | 3.00 | 1/2 |
MUSI GU4122 SONGS OF THE TROUBADOURS. 4.00 points.
This interdisciplinary seminar approaches the songs of the troubadours as poetic and musical traditions. Together we will develop methods for analysis and interpretation, situate the songs within literary and social history, and address broad issues such as the nature of performance, the interplay between oral transmission and writing, the origins of troubadour poetry, fin’amor, and gender. Students will learn to analyze the poetic and musical structure of the songs and to transcribe and edit them from medieval manuscripts. Weekly assignments in Paden’s Introduction to Old Occitan will familiarize students with the language of the texts; one hour a week will be devoted texts using Paden’s book. Students from all departments are welcome
Fall 2024: MUSI GU4122
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4122 | 001/10083 | F 1:00pm - 3:00pm 701a Dodge Building |
Susan Boynton | 4.00 | 7/12 |
MUSI GU4308 Theory and Analysis of Jazz and Improvisation. 3.00 points.
What are the traditional definitions of jazz and how do they apply to improvised music in the twenty-first century? This course aims to communicate reliable methods and processes useful when dissecting and evaluating jazz performances and jazz compositions. Students will engage with traditional and fundamental jazz improvisation theory, then extrapolate new modalities reflective of the music happening today; including categorizing music on gradations from minimally to fully improvisational, tonal to harmonically abstract, rhythmically rigid to free, and sonically acoustic to fully synthesized. The class will explore and differentiate between “new complexity” classical compositions and virtuosic free form improvisation, compare US jazz to versions happening in other countries, and to recognize how world music influences affect improvisational tonal systems and improvisational traits
Fall 2024: MUSI GU4308
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4308 | 001/10508 | M W 4:10pm - 5:25pm 814 Dodge Building |
Ole Mathisen | 3.00 | 14/25 |
MUSI GU4360 ANALYSIS OF TONAL MUSIC. 3.00 points.
Detailed analysis of selected tonal compositions. This course, for advanced undergraduates and beginning graduates, is intended to develop understanding of tonal compositions and of theoretical concepts that apply to them, through study of specific works in various forms and styles
MUSI GU4418 Music and Fashion. 3.00 points.
Fashion has been integral to musical performance practices, and music continues to influence fashion. As a result, specific music genres and practitioners are linked to particular fashion trends and movements that represent their persona and appearance. In various cultures around the world, music and fashion play a significant role in marking identity, as practitioners’ cultural heritage impacts the choice of costumes they wear during performances in different spaces and times. Spread through live performances and mass-mediated technology, consumers and fans of these practitioners also adopt and integrate these fashion trends into their everyday styles. This class explores Some of the questions: How does fashion become a visual representation of specific music cultures, subcultures, genres, movements, and artists? How does fashion reflect, influence, inspire, evolve, spread, sustain, represent, affect, and communicate musical ideas? To answer these questions, musical fashion icons such as Beyoncé, Prince, Rihanna, Lady Gaga, and David Bowie, and genres like Hip Hop, rock, Opera, K-pop, Afrobeats, and other global genres are examined through written scholarships, analysis of music performances and costumes, and their appearances in events and everyday life. This class explores how fashion trends influence sounds and vice versa, how they mark identity through music, embody symbolic sounds, and attract music consumers and fans who perpetuate these trends
Fall 2024: MUSI GU4418
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4418 | 001/10189 | T 12:10pm - 2:00pm 620 Dodge Building |
Ruth Opara | 3.00 | 22/25 |
MUSI GU4525 INSTRUMENTATION. 3.00 points.
Prerequisites: extensive musical background. Analysis of instrumentation, with directional emphasis on usage, ranges, playing techniques, tone colors, characteristics, interactions and tendencies, all derived from the classic orchestral repertoire. Topics will include theoretical writings on the classical repertory as well as 20th century instrumentation and its advancement. Additional sessions with live orchestral demonstrations are included as part of the course
Fall 2024: MUSI GU4525
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4525 | 001/10082 | T Th 1:10pm - 2:25pm 814 Dodge Building |
Jeffrey Milarsky | 3.00 | 10/25 |
MUSI GU4630 RECORDED SOUND. 3.00 points.
As music moves into the 21st century, we find ourselves surrounded by an ever-evolving landscape of technological capability. The world of music, and the music industry itself, is changing rapidly, and with that change comes the opening – and closing – of doorways of possibility. What does this shift mean for today’s practicing artist or composer? With big label recording studios signing and nurturing fewer and fewer artists, it seems certain that, today, musicians who want to record and distribute their music need to be able to do much of the recording and production work on their own. But where does one go to learn how to do this – to learn not only the “how to” part of music production, but the historical underpinnings and the development of the music production industry as well? How does one develop a comprehensive framework within which they can place their own artistic efforts? How does one learn to understand what they hear, re-create what they like and develop their own style? This class, “Recorded Sound,” aims to be the answer. It’s goal is to teach artists how to listen critically to music from across history and genres in order to identify the production techniques that they hear, and reproduce those elements using modern technology so they can be incorporated into the artist’s own musical works.
Fall 2024: MUSI GU4630
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4630 | 001/10190 | M 1:10pm - 4:00pm 317 Prentis Hall |
David Adamcyk | 3.00 | 11/15 |
MUSI 4630 | 002/17470 | W 1:10pm - 4:00pm 317 Prentis Hall |
Danielle Dobkin | 3.00 | 8/15 |
Spring 2025: MUSI GU4630
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 4630 | 001/11781 | T 10:10am - 1:00pm 317 Prentis Hall |
Anna Meadors | 3.00 | 8/12 |
MUSI GU4810 Sound: Foundations. 3.00 points.
This foundational course in sound will begin by exploring how listening happens as well the tools necessary capture and present that listening. Through hands-on experimentation and demonstration, this seminar will examine both the technical and semiotic use of sound as amaterial within creative practice. Fundamental studio techniques will be explored including soldering for building cables, microphones, and loudspeakers. We will also explore the building blocks of analog and digital processes for the creation of sound, including microphones (types, patterns, and placement), basic synthesis, and techniques for recording, mixing, editing, and mastering. Through creative projects that implement these skills we will learn by doing. We will study theories of sound and listening that determine or are determined by technology, from the physical and social dimensions of the sounds we use to create, language (sound as a symbol or object), acoustics (sound in space), acousmatics (sound without a visual reference), and psycho-acoustics (sound as cognitive process). This class assumes no prior knowledge or technical skill. Some reading will be assigned and we will look and listen to a lot of work, students are encouraged to participate actively in discussions
Fall 2024: MUSI GU4810
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4810 | 001/10191 | M 2:10pm - 4:00pm 320h Prentis Hall |
Seth Cluett | 3.00 | 18/18 |
MUSI GU4998 SUPERVISED INDEPENDENT STUDY. 1.00-3.00 points.
Fall 2024: MUSI GU4998
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4998 | 001/10093 | |
Seth Cluett | 1.00-3.00 | 0/5 |
Spring 2025: MUSI GU4998
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 4998 | 001/11469 | |
Seth Cluett | 1.00-3.00 | 0/5 |
MPP UN1401 BASSOON INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1401
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1401 | 001/10202 | |
Mark Timmerman | 1.00 | 0/5 |
Spring 2025: MPP UN1401
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1401 | 001/11018 | |
Mark Timmerman | 1.00 | 0/5 |
MPP UN1403 CELLO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1403
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1403 | 001/10203 | |
Eliot Bailen | 1.00 | 5/5 |
MPP 1403 | 002/10204 | |
Gwendolyn Krosnick | 1.00 | 0/5 |
MPP 1403 | 003/19097 | |
Patrick Jee | 1.00 | 1/5 |
MPP 1403 | 004/21031 | |
James Wilson | 1.00 | 2/5 |
Spring 2025: MPP UN1403
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1403 | 001/11019 | |
Eliot Bailen | 1.00 | 0/5 |
MPP 1403 | 002/13271 | |
Gwendolyn Krosnick | 1.00 | 0/5 |
MPP 1403 | 003/11608 | |
Patrick Jee | 1.00 | 1/5 |
MPP 1403 | 004/11619 | |
James Wilson | 1.00 | 2/5 |
MPP UN1405 CLARINET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1405
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1405 | 001/10205 | |
Allen Blustine | 1.00 | 3/5 |
Spring 2025: MPP UN1405
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1405 | 001/11622 | |
Allen Blustine | 1.00 | 1/5 |
MPP UN1407 CLASSICAL SAXOPHONE INSTRUCTION. 1 point.
CLASSICAL SAXOPHONE INSTRUCTION
Fall 2024: MPP UN1407
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1407 | 001/14965 | |
1 | 0/5 | |
Spring 2025: MPP UN1407
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1407 | 001/13272 | |
1 | 0/5 |
MPP UN1409 FLUTE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1409
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1409 | 001/10206 | |
Sue Anne Kahn | 1.00 | 0/5 |
MPP 1409 | 002/10207 | |
Susan Palma-Nidel | 1.00 | 2/5 |
MPP 1409 | 003/10208 | |
Susan Rotholz | 1.00 | 1/5 |
Spring 2025: MPP UN1409
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1409 | 001/13274 | |
Sue Anne Kahn | 1.00 | 0/5 |
MPP 1409 | 002/11625 | |
Susan Palma-Nidel | 1.00 | 0/5 |
MPP 1409 | 003/11626 | |
Susan Rotholz | 1.00 | 0/5 |
MPP UN1411 FRENCH HORN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1411
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1411 | 001/10209 | |
Brad Gemeinhardt | 1.00 | 0/5 |
MPP UN1413 GUITAR (BLUEGRASS) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1413
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1413 | 001/10210 | |
James Kerr | 1.00 | 2/5 |
Spring 2025: MPP UN1413
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1413 | 001/11672 | |
James Kerr | 1.00 | 0/5 |
MPP UN1414 Guitar (Popular-Contemporary) Instruction. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar, pop guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required
Fall 2024: MPP UN1414
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1414 | 001/13990 | |
James Moore | 1.00 | 6/5 |
Spring 2025: MPP UN1414
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1414 | 001/11793 | |
James Moore | 1.00 | 0/6 |
MPP UN1415 GUITAR (CLASSICAL) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1415
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1415 | 001/10211 | |
James Kerr | 1.00 | 3/5 |
Spring 2025: MPP UN1415
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1415 | 001/11673 | |
James Kerr | 1.00 | 0/5 |
MPP UN1417 HARP INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1417
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1417 | 001/10212 | |
June Han | 1.00 | 1/5 |
Spring 2025: MPP UN1417
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1417 | 001/11674 | |
June Han | 1.00 | 0/5 |
MPP UN1419 OBOE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1419
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1419 | 001/10213 | |
Vicki Bodner | 1.00 | 3/5 |
Spring 2025: MPP UN1419
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1419 | 001/11675 | |
Vicki Bodner | 1.00 | 1/5 |
MPP UN1421 ORGAN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1421
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1421 | 001/10214 | |
Paul Martin Maki | 1.00 | 2/5 |
Spring 2025: MPP UN1421
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1421 | 001/11678 | |
Paul Martin Maki | 1.00 | 0/5 |
MPP UN1423 PERCUSSION INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1423
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1423 | 001/10215 | |
Ian Sullivan | 1.00 | 0/5 |
Spring 2025: MPP UN1423
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1423 | 001/13362 | |
Ian Sullivan | 1.00 | 0/5 |
MPP UN1425 PIANO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1425
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1425 | 001/10216 | |
Michael Skelly | 1.00 | 34/50 |
MPP 1425 | 002/10217 | |
Dmitry Alexeev | 1.00 | 10/40 |
MPP 1425 | 003/10218 | |
Reiko Uchida | 1.00 | 13/40 |
MPP 1425 | 004/10219 | |
Mirna Lekic | 1.00 | 10/40 |
MPP 1425 | 005/20905 | |
Kathleen Tagg | 1.00 | 14/40 |
Spring 2025: MPP UN1425
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1425 | 001/11679 | |
Michael Skelly | 1.00 | 0/50 |
MPP 1425 | 002/11680 | |
Dmitry Alexeev | 1.00 | 3/40 |
MPP 1425 | 003/11688 | |
Reiko Uchida | 1.00 | 0/40 |
MPP 1425 | 004/11689 | |
Mirna Lekic | 1.00 | 6/40 |
MPP 1425 | 005/11690 | |
Kathleen Tagg | 1.00 | 4/40 |
MPP UN1427 STRING BASS INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1427
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1427 | 001/10220 | |
Lou Kosma | 1.00 | 4/5 |
Spring 2025: MPP UN1427
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1427 | 001/11695 | |
Lou Kosma | 1.00 | 0/5 |
MPP UN1429 TROMBONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1429
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1429 | 001/10221 | |
1.00 | 0/5 |
MPP UN1431 TRUMPET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1431
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1431 | 001/10222 | |
David Krauss | 1.00 | 1/5 |
Spring 2025: MPP UN1431
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1431 | 001/11794 | |
David Krauss | 1.00 | 0/5 |
MPP UN1433 TUBA INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1433
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1433 | 001/10223 | |
1.00 | 0/5 |
MPP UN1435 VIOLA INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1435
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1435 | 001/10224 | |
Sarah Adams | 1.00 | 3/5 |
MPP 1435 | 002/10226 | |
Amadi Azikiwe | 1.00 | 0/5 |
MPP 1435 | 003/10225 | |
Jessica Thompson | 1.00 | 0/5 |
Spring 2025: MPP UN1435
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1435 | 001/11798 | |
Sarah Adams | 1.00 | 0/5 |
MPP 1435 | 002/13363 | |
Amadi Azikiwe | 1.00 | 0/5 |
MPP 1435 | 003/13364 | |
Jessica Thompson | 1.00 | 0/5 |
MPP UN1437 VIOLIN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1437
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1437 | 001/10227 | |
Cyrus Beroukhim | 1.00 | 2/5 |
MPP 1437 | 002/10228 | |
Maja Cerar | 1.00 | 5/5 |
MPP 1437 | 004/10229 | |
Lisa Kim | 1.00 | 1/5 |
MPP 1437 | 005/10230 | |
Muneko Otani | 1.00 | 3/5 |
MPP 1437 | 006/10231 | |
Richard Rood | 1.00 | 4/5 |
Spring 2025: MPP UN1437
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1437 | 001/11808 | |
Cyrus Beroukhim | 1.00 | 0/5 |
MPP 1437 | 002/11811 | |
Maja Cerar | 1.00 | 0/5 |
MPP 1437 | 004/11813 | |
Lisa Kim | 1.00 | 0/5 |
MPP 1437 | 005/11815 | |
Muneko Otani | 1.00 | 0/5 |
MPP 1437 | 006/11820 | |
Richard Rood | 1.00 | 0/5 |
MPP UN1443 JAZZ BASS INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1443
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1443 | 001/10232 | |
Bradley Jones | 1.00 | 0/5 |
MPP 1443 | 002/10233 | |
Ugonna Okegwo | 1.00 | 5/5 |
Spring 2025: MPP UN1443
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1443 | 002/13269 | |
Ugonna Okegwo | 1.00 | 0/5 |
MPP UN1445 JAZZ BASS (ELECTRIC) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1445
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1445 | 001/10234 | |
Leo Traversa | 1.00 | 2/5 |
Spring 2025: MPP UN1445
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1445 | 001/11821 | |
Leo Traversa | 1.00 | 0/5 |
MPP UN1447 JAZZ GUITAR (ELECTRIC) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1447
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1447 | 001/10235 | |
Paul Bollenback | 1.00 | 7/7 |
MPP 1447 | 002/10236 | |
Leo Traversa | 1.00 | 0/5 |
Spring 2025: MPP UN1447
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1447 | 001/11867 | |
Paul Bollenback | 1.00 | 0/7 |
MPP 1447 | 002/13270 | |
Leo Traversa | 1.00 | 0/5 |
MPP UN1449 JAZZ ORCHESTRATION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1449
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1449 | 001/10237 | |
Ole Mathisen | 1.00 | 0/5 |
MPP 1449 | 002/10238 | |
Don Sickler | 1.00 | 0/5 |
Spring 2025: MPP UN1449
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1449 | 001/13368 | |
Ole Mathisen | 1.00 | 0/5 |
MPP 1449 | 002/13369 | |
Don Sickler | 1.00 | 0/5 |
MPP UN1451 JAZZ PERCUSSION INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1451
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1451 | 001/10239 | |
Anthony Moreno | 1.00 | 0/5 |
MPP 1451 | 002/10240 | |
Vince Cherico | 1.00 | 7/6 |
MPP 1451 | 003/10241 | |
Sylvia Cuenca | 1.00 | 0/5 |
Spring 2025: MPP UN1451
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1451 | 001/13370 | |
Anthony Moreno | 1.00 | 0/5 |
MPP 1451 | 002/11910 | |
Vince Cherico | 1.00 | 0/7 |
MPP UN1453 JAZZ PIANO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1453
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1453 | 001/10242 | |
Gabriel Guerrero | 1.00 | 6/7 |
MPP 1453 | 002/10243 | |
Victor Lin | 1.00 | 5/5 |
MPP 1453 | 004/10244 | |
Helen Sung | 1.00 | 3/5 |
Spring 2025: MPP UN1453
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1453 | 001/11913 | |
Gabriel Guerrero | 1.00 | 2/7 |
MPP 1453 | 002/11915 | |
Victor Lin | 1.00 | 0/5 |
MPP 1453 | 004/11918 | |
Helen Sung | 1.00 | 0/5 |
MPP UN1455 JAZZ SAXOPHONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1455
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1455 | 001/10245 | |
Laubrock Ingrid | 1.00 | 8/8 |
Spring 2025: MPP UN1455
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1455 | 001/11919 | |
Laubrock Ingrid | 1.00 | 0/8 |
MPP UN1457 JAZZ TROMBONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1457
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1457 | 001/10246 | |
John David Gibson | 1.00 | 3/5 |
Spring 2025: MPP UN1457
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1457 | 001/11922 | |
John David Gibson | 1.00 | 0/5 |
MPP UN1459 JAZZ TRUMPET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1459
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1459 | 001/10247 | |
Don Sickler | 1.00 | 4/5 |
MPP 1459 | 002/10248 | |
1.00 | 0/5 | |
Spring 2025: MPP UN1459
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1459 | 001/11924 | |
Don Sickler | 1.00 | 0/5 |
MPP UN1461 JAZZ VOICE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1461
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1461 | 001/10249 | |
Christine Correa | 1.00 | 8/8 |
Spring 2025: MPP UN1461
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1461 | 001/11943 | |
Christine Correa | 1.00 | 1/8 |
MPP UN1511 COLLEGIUM MUSICUM. 1.00 point.
Collegium Musicum is a performing group dedicated primarily to the study and performance of early music, broadly defined.
Fall 2024: MPP UN1511
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1511 | 001/10059 | M 7:30pm - 9:30pm 622 Dodge Building |
Ramin Amir Arjomand | 1.00 | 5/30 |
Spring 2025: MPP UN1511
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1511 | 001/10929 | M 7:30pm - 9:30pm 622 Dodge Building |
Ramin Amir Arjomand | 1.00 | 0/30 |
MPP UN1521 UNIVERSITY ORCHESTRA I. 2.00 points.
Founded by composer Edward MacDowell in 1896, the Columbia University Orchestra is the oldest continually operating university orchestra in the United States. The principal mission of the Orchestra is to expose talented student musicians to the highest level of orchestral repertoire. An audition is required.
Fall 2024: MPP UN1521
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1521 | 001/10057 | T 6:30pm - 9:30pm Room TBA |
Jeffrey Milarsky | 2.00 | 82/100 |
Spring 2025: MPP UN1521
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1521 | 001/10927 | T 6:30pm - 9:30pm Room TBA |
Jeffrey Milarsky | 2.00 | 28/100 |
MPP UN1531 CHAMBER ENSEMBLE. 1.00 point.
The Music Performance Program (MPP) offers students the opportunity to participate in various classical ensembles and study with some of the most renowned chamber musicians in New York City. An audition is required.
Fall 2024: MPP UN1531
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1531 | 003/10252 | |
Ian Sullivan | 1.00 | 0/25 |
MPP 1531 | 005/10253 | |
Reiko Uchida | 1.00 | 0/25 |
MPP 1531 | 006/10254 | |
Sarah Adams | 1.00 | 8/25 |
MPP 1531 | 007/10255 | |
Eliot Bailen | 1.00 | 7/25 |
MPP 1531 | 008/10256 | |
Allen Blustine | 1.00 | 0/25 |
MPP 1531 | 009/10257 | |
Vicki Bodner | 1.00 | 0/25 |
MPP 1531 | 010/10262 | |
Patrick Jee | 1.00 | 3/25 |
MPP 1531 | 011/10258 | |
Maja Cerar | 1.00 | 3/25 |
MPP 1531 | 013/10260 | |
June Han | 1.00 | 0/25 |
MPP 1531 | 014/10261 | |
Sue Anne Kahn | 1.00 | 3/25 |
MPP 1531 | 015/10264 | |
Amadi Azikiwe | 1.00 | 2/25 |
MPP 1531 | 016/10265 | |
Muneko Otani | 1.00 | 21/25 |
MPP 1531 | 017/10266 | |
Susan Palma-Nidel | 1.00 | 3/25 |
MPP 1531 | 018/10267 | |
Richard Rood | 1.00 | 4/25 |
MPP 1531 | 019/10268 | |
Susan Rotholz | 1.00 | 2/25 |
MPP 1531 | 020/10269 | |
Jessica Thompson | 1.00 | 0/25 |
MPP 1531 | 021/10271 | |
Brad Gemeinhardt | 1.00 | 0/25 |
MPP 1531 | 022/10272 | |
James Wilson | 1.00 | 0/25 |
MPP 1531 | 023/18757 | |
Gwendolyn Krosnick | 1.00 | 0/25 |
MPP 1531 | 024/19098 | |
Mirna Lekic | 1.00 | 0/25 |
Spring 2025: MPP UN1531
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1531 | 005/13373 | |
Reiko Uchida | 1.00 | 0/25 |
MPP 1531 | 006/12023 | |
Sarah Adams | 1.00 | 0/25 |
MPP 1531 | 007/12025 | |
Eliot Bailen | 1.00 | 0/25 |
MPP 1531 | 008/13374 | |
Allen Blustine | 1.00 | 0/25 |
MPP 1531 | 009/13375 | |
Vicki Bodner | 1.00 | 0/25 |
MPP 1531 | 010/12031 | |
Patrick Jee | 1.00 | 1/25 |
MPP 1531 | 011/12032 | |
Maja Cerar | 1.00 | 0/25 |
MPP 1531 | 013/13376 | |
June Han | 1.00 | 0/25 |
MPP 1531 | 014/12035 | |
Sue Anne Kahn | 1.00 | 1/25 |
MPP 1531 | 015/12037 | |
Amadi Azikiwe | 1.00 | 0/25 |
MPP 1531 | 016/12038 | |
Muneko Otani | 1.00 | 0/25 |
MPP 1531 | 017/12040 | |
Susan Palma-Nidel | 1.00 | 0/25 |
MPP 1531 | 018/12041 | |
Richard Rood | 1.00 | 1/25 |
MPP 1531 | 019/12042 | |
Susan Rotholz | 1.00 | 0/25 |
MPP 1531 | 023/13481 | |
Gwendolyn Krosnick | 1.00 | 0/25 |
MPP UN1541 COLUMBIA UNIV JAZZ ENSEMBL. 1.00 point.
The Louis Armstrong Jazz Performance Program in the Music Performance Program (MPP) offers students the opportunity to participate in various jazz ensembles, both large and small, instrumental and vocal, that cover a wide range of musical ensembles. All ensembles perform at an intermediate level or higher and require some past jazz experience.
Fall 2024: MPP UN1541
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1541 | 001/10273 | |
Christine Correa | 1.00 | 14/25 |
MPP 1541 | 002/10274 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 003/10276 | |
Leo Traversa | 1.00 | 2/25 |
MPP 1541 | 004/10277 | |
Vince Cherico | 1.00 | 9/25 |
MPP 1541 | 005/10278 | |
Victor Lin | 1.00 | 10/25 |
MPP 1541 | 006/10279 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 007/10280 | |
Ole Mathisen | 1.00 | 2/25 |
MPP 1541 | 008/10281 | |
Paul Bollenback | 1.00 | 4/25 |
MPP 1541 | 009/10283 | |
Don Sickler | 1.00 | 13/25 |
MPP 1541 | 010/10284 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 011/10285 | |
John David Gibson | 1.00 | 5/10 |
Spring 2025: MPP UN1541
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1541 | 001/12066 | |
Christine Correa | 1.00 | 0/25 |
MPP 1541 | 002/13482 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 003/12076 | |
Leo Traversa | 1.00 | 0/25 |
MPP 1541 | 004/12080 | |
Vince Cherico | 1.00 | 0/25 |
MPP 1541 | 005/12085 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 006/13483 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 007/12098 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 008/12102 | |
Paul Bollenback | 1.00 | 0/25 |
MPP 1541 | 009/12109 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 010/13484 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 011/12117 | |
John David Gibson | 1.00 | 0/25 |
MPP UN1551 WORLD MUSIC ENSEMBLE. 1.00 point.
In collaboration with the Center for Ethnomusicology, MESAAS, Institute for Medieval Japanese Studies and the Louis Armstrong Jazz Performance Program, the Music Performance Program (MPP) offers students the opportunity to participate in various world music ensembles: Arab Music, Bluegrass, Japanese Gagaku/Hogaku, Klezmer and Latin American Music. Each ensemble requires different levels of experience, so please refer to the World Music section of the Music Performance Program website for more info. Please note the Latin American Music Ensemble focuses on two different Latin music traditions: The Afro-Cuban Ensemble meets in the Fall and the Brazilian Ensemble meets in the Spring.
Fall 2024: MPP UN1551
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1551 | 001/10286 | |
James Kerr | 1.00 | 7/25 |
MPP 1551 | 002/10287 | |
Alicia Lindsey | 1.00 | 6/25 |
MPP 1551 | 003/10288 | |
Adam Robinson | 1.00 | 4/25 |
MPP 1551 | 004/10289 | |
Yumi Kurosawa | 1.00 | 3/25 |
MPP 1551 | 005/10290 | |
Jeff Warschauer | 1.00 | 6/25 |
MPP 1551 | 006/10291 | |
Leo Traversa, Vince Cherico | 1.00 | 12/25 |
MPP 1551 | 007/10292 | Th 5:00pm - 7:00pm 814 Dodge Building |
Taoufik Ben-Amor | 1.00 | 18/18 |
Spring 2025: MPP UN1551
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1551 | 001/12134 | |
James Kerr | 1.00 | 0/25 |
MPP 1551 | 002/12137 | |
Alicia Lindsey | 1.00 | 3/25 |
MPP 1551 | 003/12140 | |
Adam Robinson | 1.00 | 0/25 |
MPP 1551 | 004/12143 | |
Yumi Kurosawa | 1.00 | 0/25 |
MPP 1551 | 005/12192 | |
Jeff Warschauer | 1.00 | 2/25 |
MPP 1551 | 006/12197 | |
Leo Traversa, Vince Cherico | 1.00 | 1/25 |
MPP 1551 | 007/12205 | |
Taoufik Ben-Amor | 1.00 | 13/18 |
MPP UN1601 Performance Seminar MasterClass. 1.00 point.
Performance Seminar Masterclass is open to classical musicians of any instrument(s) with the highest commitment to performance. Students are admitted via live audition during the first week of classes in the Fall. Each week, two students perform repertoire of their choice for the class and receive feedback from everyone present. The discussions, moderated by the director of the Music Performance Program, Dr. Magdalena Stern-Baczewska, are designed to provide constructive criticism to the performers and to pose questions related to performance from the perspectives of musical interpretation, career management, professional collaboration, and pedagogy
Fall 2024: MPP UN1601
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1601 | 001/14795 | W 4:10pm - 5:25pm 622 Dodge Building |
Magdalena Baczewska | 1.00 | 15/14 |
Spring 2025: MPP UN1601
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1601 | 001/11747 | W 4:10pm - 5:25pm 622 Dodge Building |
Magdalena Baczewska | 1.00 | 8/14 |
Spring 2025
MUSI UN1002 FUNDAMENTALS OF MUSIC. 3.00 points.
Introduction to music, including notation, written and aural skills, and basic conceptual resources of music theory. Exploration of scale, mode, rhythm, meter, texture and form, with reference to a diverse range of musics.
Fall 2024: MUSI UN1002
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 1002 | 001/10060 | M W 1:10pm - 2:25pm 814 Dodge Building |
Rebecca Zola | 3.00 | 23/24 |
Spring 2025: MUSI UN1002
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 1002 | 001/10755 | M W 1:10pm - 2:25pm 622 Dodge Building |
Imogen Wilson | 3.00 | 24/24 |
HUMA UN1123 MASTERPIECES OF WESTERN MUSIC. 3.00 points.
Analysis and discussion of representative works from the Middle Ages to the present
Fall 2024: HUMA UN1123
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
HUMA 1123 | 001/10753 | M W 8:40am - 9:55am 404 Dodge Building |
Kristy Barbacane | 3.00 | 25/25 |
HUMA 1123 | 002/10757 | M W 8:40am - 9:55am 405 Dodge Building |
Gabrielle Ferrari | 3.00 | 23/25 |
HUMA 1123 | 003/10758 | M W 8:40am - 9:55am 716 Hamilton Hall |
Calder Hannan | 3.00 | 25/25 |
HUMA 1123 | 004/10759 | M W 10:10am - 11:25am 404 Dodge Building |
Mariusz Kozak | 3.00 | 25/25 |
HUMA 1123 | 005/10760 | M W 10:10am - 11:25am 405 Dodge Building |
Gabrielle Ferrari | 3.00 | 25/25 |
HUMA 1123 | 006/10761 | M W 10:10am - 11:25am 716 Hamilton Hall |
Galen DeGraf | 3.00 | 22/25 |
HUMA 1123 | 007/10762 | M W 1:10pm - 2:25pm 404 Dodge Building |
Mariusz Kozak | 3.00 | 25/25 |
HUMA 1123 | 008/10763 | M W 1:10pm - 2:25pm 716 Hamilton Hall |
Audrey Amsellem | 3.00 | 24/25 |
HUMA 1123 | 009/10764 | M W 2:40pm - 3:55pm 404 Dodge Building |
Hannah Kendall | 3.00 | 25/25 |
HUMA 1123 | 010/10765 | M W 2:40pm - 3:55pm 405 Dodge Building |
Thomas Wetmore | 3.00 | 23/25 |
HUMA 1123 | 011/10766 | M W 2:40pm - 3:55pm 716 Hamilton Hall |
Audrey Amsellem | 3.00 | 25/25 |
HUMA 1123 | 012/10767 | M W 4:10pm - 5:25pm 404 Dodge Building |
Hannah Kendall | 3.00 | 24/25 |
HUMA 1123 | 013/10768 | M W 4:10pm - 5:25pm 405 Dodge Building |
Kathryn Cooke | 3.00 | 25/25 |
HUMA 1123 | 014/10769 | M W 4:10pm - 5:25pm 716 Hamilton Hall |
Diana Rodriguez | 3.00 | 25/25 |
HUMA 1123 | 015/10770 | M W 5:40pm - 6:55pm 404 Dodge Building |
Ralph Whyte | 3.00 | 24/25 |
HUMA 1123 | 016/10771 | M W 5:40pm - 6:55pm 405 Dodge Building |
David Farrow | 3.00 | 25/25 |
HUMA 1123 | 017/10772 | M W 5:40pm - 6:55pm 716 Hamilton Hall |
Manuel Garcia Orozco | 3.00 | 25/25 |
HUMA 1123 | 018/10773 | T Th 8:40am - 9:55am 404 Dodge Building |
Knar Abrahamyan | 3.00 | 24/25 |
HUMA 1123 | 019/10774 | T Th 8:40am - 9:55am 405 Dodge Building |
Madeleine Turner | 3.00 | 25/25 |
HUMA 1123 | 020/10775 | T Th 8:40am - 9:55am 716 Hamilton Hall |
Benjamin Steege | 3.00 | 25/25 |
HUMA 1123 | 021/10776 | T Th 10:10am - 11:25am 404 Dodge Building |
Scott Douglass | 3.00 | 25/25 |
HUMA 1123 | 022/10777 | T Th 10:10am - 11:25am 405 Dodge Building |
Madeleine Turner | 3.00 | 25/25 |
HUMA 1123 | 023/10778 | T Th 10:10am - 11:25am 716 Hamilton Hall |
Joshua Navon | 3.00 | 25/25 |
HUMA 1123 | 024/10779 | T Th 11:40am - 12:55pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 24/25 |
HUMA 1123 | 025/10780 | T Th 1:10pm - 2:25pm 404 Dodge Building |
Julia Doe | 3.00 | 25/25 |
HUMA 1123 | 026/10781 | T Th 1:10pm - 2:25pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 23/25 |
HUMA 1123 | 027/10782 | T Th 2:40pm - 3:55pm 404 Dodge Building |
Sasha Doster | 3.00 | 25/25 |
HUMA 1123 | 028/10783 | T Th 2:40pm - 3:55pm 405 Dodge Building |
Saad Haddad | 3.00 | 25/25 |
HUMA 1123 | 029/10784 | T Th 2:40pm - 3:55pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 24/25 |
HUMA 1123 | 030/10785 | T Th 4:10pm - 5:25pm 404 Dodge Building |
Elaine Sisman | 3.00 | 25/25 |
HUMA 1123 | 031/10786 | T Th 4:10pm - 5:25pm 405 Dodge Building |
Saad Haddad | 3.00 | 25/25 |
HUMA 1123 | 032/10787 | T Th 4:10pm - 5:25pm 716 Hamilton Hall |
Ryan Pratt | 3.00 | 25/25 |
HUMA 1123 | 033/10788 | T Th 5:40pm - 6:55pm 404 Dodge Building |
Marilyn McCoy | 3.00 | 24/25 |
HUMA 1123 | 034/10789 | T Th 5:40pm - 6:55pm 405 Dodge Building |
Ashkan Behzadi | 3.00 | 23/25 |
HUMA 1123 | 035/10790 | T Th 5:40pm - 6:55pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 24/25 |
HUMA 1123 | JE1/21646 | T 4:00pm - 6:00pm Othr Other |
Audrey Amsellem | 3.00 | 0/7 |
Spring 2025: HUMA UN1123
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
HUMA 1123 | 001/10719 | M W 8:40am - 9:55am 404 Dodge Building |
Amanda Morrill | 3.00 | 21/21 |
HUMA 1123 | 002/10720 | M W 8:40am - 9:55am 405 Dodge Building |
Calder Hannan | 3.00 | 21/21 |
HUMA 1123 | 003/10721 | M W 8:40am - 9:55am 716 Hamilton Hall |
Gabrielle Ferrari | 3.00 | 21/21 |
HUMA 1123 | 004/10722 | M W 10:10am - 11:25am 404 Dodge Building |
Mariusz Kozak | 3.00 | 21/21 |
HUMA 1123 | 005/10723 | M W 10:10am - 11:25am 405 Dodge Building |
Julia Doe | 3.00 | 21/21 |
HUMA 1123 | 006/10724 | M W 10:10am - 11:25am 716 Hamilton Hall |
Gabrielle Ferrari | 3.00 | 21/21 |
HUMA 1123 | 007/10725 | M W 1:10pm - 2:25pm 404 Dodge Building |
Mariusz Kozak | 3.00 | 21/21 |
HUMA 1123 | 008/10726 | M W 1:10pm - 2:25pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 21/21 |
HUMA 1123 | 009/10727 | M W 2:40pm - 3:55pm 404 Dodge Building |
Ruth Opara | 3.00 | 21/21 |
HUMA 1123 | 010/10728 | M W 2:40pm - 3:55pm 405 Dodge Building |
Audrey Amsellem | 3.00 | 21/21 |
HUMA 1123 | 011/10729 | M W 2:40pm - 3:55pm 716 Hamilton Hall |
Justin Gregg | 3.00 | 21/21 |
HUMA 1123 | 012/10730 | M W 4:10pm - 5:25pm 404 Dodge Building |
Giuseppe Gerbino | 3.00 | 21/21 |
HUMA 1123 | 013/10731 | M W 4:10pm - 5:25pm 405 Dodge Building |
Audrey Amsellem | 3.00 | 21/21 |
HUMA 1123 | 014/10732 | M W 4:10pm - 5:25pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 21/21 |
HUMA 1123 | 015/10733 | M W 5:40pm - 6:55pm 404 Dodge Building |
3.00 | 21/21 | |
HUMA 1123 | 016/10734 | M W 5:40pm - 6:55pm 405 Dodge Building |
Manuel Garcia Orozco | 3.00 | 21/21 |
HUMA 1123 | 017/10735 | M W 5:40pm - 6:55pm 716 Hamilton Hall |
Russell O'Rourke | 3.00 | 21/21 |
HUMA 1123 | 018/10736 | T Th 8:40am - 9:55am 404 Dodge Building |
Madeleine Turner | 3.00 | 21/21 |
HUMA 1123 | 019/10737 | T Th 8:40am - 9:55am 405 Dodge Building |
Scott Douglass | 3.00 | 21/21 |
HUMA 1123 | 020/10738 | T Th 8:40am - 9:55am 716 Hamilton Hall |
Nandini Banerjee-Datta | 3.00 | 21/21 |
HUMA 1123 | 021/10739 | T Th 10:10am - 11:25am 404 Dodge Building |
Madeleine Turner | 3.00 | 21/21 |
HUMA 1123 | 022/10740 | T Th 10:10am - 11:25am 405 Dodge Building |
Walter Frisch | 3.00 | 21/21 |
HUMA 1123 | 023/10741 | T Th 10:10am - 11:25am 716 Hamilton Hall |
Nandini Banerjee-Datta | 3.00 | 21/21 |
HUMA 1123 | 024/10742 | T Th 11:40am - 12:55pm 716 Hamilton Hall |
Knar Abrahamyan | 3.00 | 21/21 |
HUMA 1123 | 025/10743 | T Th 1:10pm - 2:25pm 404 Dodge Building |
Christopher Washburne | 3.00 | 21/21 |
HUMA 1123 | 026/10744 | T Th 1:10pm - 2:25pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 21/21 |
HUMA 1123 | 027/10745 | T Th 2:40pm - 3:55pm 404 Dodge Building |
Joshua Navon | 3.00 | 21/21 |
HUMA 1123 | 028/10746 | T Th 2:40pm - 3:55pm 405 Dodge Building |
Hannah Kendall | 3.00 | 21/21 |
HUMA 1123 | 029/10747 | T Th 2:40pm - 3:55pm 716 Hamilton Hall |
Velia Ivanova | 3.00 | 21/21 |
HUMA 1123 | 030/10748 | T Th 4:10pm - 5:25pm 404 Dodge Building |
Sasha Doster | 3.00 | 21/21 |
HUMA 1123 | 031/10749 | T Th 4:10pm - 5:25pm 405 Dodge Building |
Hannah Kendall | 3.00 | 21/21 |
HUMA 1123 | 032/10750 | T Th 4:10pm - 5:25pm 716 Hamilton Hall |
Phoenix Collins-Sadriyoun | 3.00 | 21/21 |
HUMA 1123 | 033/10751 | T Th 5:40pm - 6:55pm 404 Dodge Building |
Marilyn McCoy | 3.00 | 21/21 |
HUMA 1123 | 034/10752 | T Th 5:40pm - 6:55pm 405 Dodge Building |
David Farrow | 3.00 | 21/21 |
HUMA 1123 | 035/10753 | T Th 5:40pm - 6:55pm 716 Hamilton Hall |
Diana Rodriguez | 3.00 | 21/21 |
MUSI UN1312 INTRODUCTORY EAR-TRAINING. 1.00 point.
This course is an introduction to basic skills in sight reading. Instruction includes reading rhythms in simple meter, solfege recitation, and sight-singing simple melodies
Fall 2024: MUSI UN1312
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 1312 | 001/10061 | M W 12:10pm - 1:00pm 404 Dodge Building |
Sadie Dawkins | 1.00 | 12/14 |
Spring 2025: MUSI UN1312
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 1312 | 001/10827 | M W 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 0/14 |
MUSI UN2014 POP MUSICS-AMER'S: COUNTRY MUS. 3.00 points.
Spring 2025: MUSI UN2014
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2014 | 001/11748 | T Th 11:40am - 12:55pm 622 Dodge Building |
Aaron Fox | 3.00 | 24/25 |
MUSI UN2205 INTRODUCTION TO DIGITAL MUSIC. 3.00 points.
Prerequisites: HUMA W1123 or the equivalent, and the instructor's permission.
An introduction to the potential of digital sound synthesis and signal processing. Teaches proficiency in elementary and advanced digital audio techniques. This course aims to challenge some of the tacet assumptions about music that are built into the design of various user interfaces and hardware and fosters a creative approach to using digital audio workstation software and equipment. Permission of Instructor required to enroll. Music Majors have priority for enrollment
Fall 2024: MUSI UN2205
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2205 | 001/10065 | T Th 1:10pm - 2:25pm 320h Prentis Hall |
Anna Meadors | 3.00 | 17/18 |
MUSI 2205 | 002/10066 | M W 11:40am - 12:55pm 320h Prentis Hall |
Anna Meadors | 3.00 | 17/18 |
MUSI 2205 | 003/17469 | F 1:10pm - 4:00pm 320h Prentis Hall |
Danielle Dobkin | 3.00 | 9/18 |
Spring 2025: MUSI UN2205
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2205 | 001/11755 | M W 10:10am - 11:25am 320h Prentis Hall |
Anna Meadors | 3.00 | 1/16 |
MUSI 2205 | 002/11758 | T Th 1:10pm - 2:25pm 320h Prentis Hall |
Nina Fukuoka | 3.00 | 6/16 |
MUSI 2205 | 003/11750 | F 1:10pm - 4:00pm 320h Prentis Hall |
Danielle Dobkin | 3.00 | 10/16 |
MUSI UN2314 EAR-TRAINING I. 1.00 point.
Designed to improve the students basic skills in sight-singing, and rhythmic and melodic dictation with an introduction to four-part harmonic dictation
Fall 2024: MUSI UN2314
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2314 | 001/10068 | T Th 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 6/14 |
MUSI 2314 | 002/10069 | M W 12:10pm - 1:00pm 405 Dodge Building |
Ramin Amir Arjomand | 1.00 | 6/14 |
Spring 2025: MUSI UN2314
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2314 | 001/10828 | T Th 12:10pm - 1:00pm 404 Dodge Building |
Mary Asti | 1.00 | 0/14 |
MUSI UN2315 EAR-TRAINING II. 1.00 point.
Techniques of sight-singing and dictation of diatonic melodies in simple and compound meter with strong emphasis on harmonic dictation
Fall 2024: MUSI UN2315
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2315 | 001/10070 | T Th 12:10pm - 1:00pm 622 Dodge Building |
Michael Joviala | 1.00 | 10/14 |
Spring 2025: MUSI UN2315
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2315 | 001/10829 | M W 12:10pm - 1:00pm 405 Dodge Building |
Sadie Dawkins | 1.00 | 4/14 |
MUSI 2315 | 002/10830 | T Th 12:10pm - 1:00pm 405 Dodge Building |
Sadie Dawkins | 1.00 | 2/14 |
MUSI UN2318 MUSIC THEORY I. 3.00 points.
Prerequisites: MUSI V1002 or the equivalent, as well as placement exam administered in the first class meeting every semester the course is offered. (Through Spring 2014, this course was entitled Diatonic Harmony and Counterpoint I.)
Elementary analysis and composition in a variety of modal and tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Fall 2024: MUSI UN2318
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2318 | 001/10071 | T Th 1:10pm - 2:25pm 405 Dodge Building |
Peter Susser | 3.00 | 11/20 |
Spring 2025: MUSI UN2318
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2318 | 001/11316 | M W 1:10pm - 2:25pm 405 Dodge Building |
Cheng Lim | 3.00 | 8/20 |
MUSI UN2319 MUSIC THEORY II. 3.00 points.
Prerequisites: MUSI V2318.
Elementary analysis and composition in a variety of tonal idioms. A one-hour weekly lab is required, to be scheduled at the beginning of the term. Course to be taken in conjunction with the Ear-Training sequence, up through Ear-Training IV.
Fall 2024: MUSI UN2319
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2319 | 001/10072 | M W 1:10pm - 2:25pm 405 Dodge Building |
Cheng Lim | 3.00 | 16/20 |
Spring 2025: MUSI UN2319
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 2319 | 001/11317 | T Th 1:10pm - 2:25pm 405 Dodge Building |
Knar Abrahamyan | 3.00 | 4/20 |
MUSI UN2500 Women and Music. 3 points.
This course explores the relationship between women, music, and performance from a thematic and a cross-cultural perspective. Through the analysis of different case studies, we will investigate different topics from the perspective of ethnomusicology, cultural anthropology, and performance studies. A number of critical questions we will consider include: how does a particular gender ideology constructs and is constructed by musical aesthetics? What are some of the critical roles for women in performance? What is the significance of gender in performances? What does it mean for women to have have and to be the voice? And how is a musical performance bound up with emotions?
Spring 2025: MUSI UN2500
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 2500 | 001/11761 | M W 8:40am - 9:55am 622 Dodge Building |
Alessandra Ciucci | 3 | 5/24 |
MUSI UN3129 HIST-WEST MUS:CLASSICAL-20TH CENTURY. 3.00 points.
Prerequisites: MUSI V2318-2319. May be taken before or concurrently with this course.
Topics in Western music from the Classical era to the present day, focusing on the development of musical style and thought, and on analysis of selected works.
Spring 2025: MUSI UN3129
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3129 | 001/10946 | T Th 2:40pm - 3:55pm 622 Dodge Building |
Elaine Sisman | 3.00 | 22/35 |
MUSI UN3171 PARIS FOR ROMANTICS. 3.00 points.
Prerequisites: Completion of Music Humanities (or the consent of the instructor) is a pre-requisite for this course.
Prerequisites: Completion of Music Humanities (or the consent of the instructor) is a pre-requisite for this course. This course explores Parisian musical life during the long nineteenth century, situating musical discourses, institutions, and forms within the broader landscapes of literary and artistic Romanticism. Topics to be considered include: the musical echoes of the Revolution; operatic genres and theaters; the music of the salons; cultures of consumerism and domestic performance; and issues of nationalism and historicism after 1870. Composers to be considered include: Berlioz, Chopin, Liszt, Gounod, Saint-Saëns, Franck, Massenet, and Debussy. Completion of Music Humanities (or the consent of the instructor) is a pre-requisite for this course.
Spring 2025: MUSI UN3171
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3171 | 001/11762 | M W 2:40pm - 3:55pm 622 Dodge Building |
Julia Doe | 3.00 | 15/15 |
MUSI UN3216 Piano Literature & Performance: 1900 - Present. 3.00 points.
This course will explore the piano repertoire of the twentieth and twenty-first centuries, with a focus on performance. The course consists of four modules: European piano music prior to WWII, the American pioneers, multiplicity of directions and cultural identities in piano music 1945-present (prepared piano, indeterminacy, integrated serialism, minimalism), and the piano music of Columbia University composers (including electronic music at the Computer Music Center, spectral piano, Center for United States-China Arts Exchange, microtonal music). We will explore the constantly evolving musical notation and performance practices. Through lectures, discussions, reading, listening, analysis, and performance projects, students will gain an understanding of the aesthetic of a wide array of keyboard literature, notation, and performance techniques
Spring 2025: MUSI UN3216
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3216 | 001/11764 | M W 11:40am - 12:55pm 620 Dodge Building |
Magdalena Baczewska | 3.00 | 12/12 |
MUSI UN3239 INTRODUCTION TO COMPOSITION I. 3.00 points.
Composition in shorter forms. Students will compose new works for the cello, with a focus on diverse approaches to the instrument. Student pieces will be workshopped, rehearsed, and performed (and/or recorded)
Spring 2025: MUSI UN3239
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3239 | 001/10754 | M W 10:10am - 11:25am 620 Dodge Building |
Marcos Balter | 3.00 | 12/12 |
MUSI UN3316 EAR-TRAINING III. 1.00 point.
Sight-singing techniques of modulating diatonic melodies in simple, compound, or irregular meters that involve complex rhythmic patterns. Emphasis is placed on four-part harmonic dictation of modulating phrases
Fall 2024: MUSI UN3316
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3316 | 001/10074 | M W 12:10pm - 1:00pm 620 Dodge Building |
Peter Susser | 1.00 | 15/18 |
Spring 2025: MUSI UN3316
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3316 | 001/10831 | M W 12:10pm - 1:00pm 814 Dodge Building |
Ramin Amir Arjomand | 1.00 | 2/14 |
MUSI UN3317 EAR-TRAINING IV. 1.00 point.
Techniques of musicianship at the intermediate level, stressing the importance of musical nuances in sight-singing. Emphasis is placed on chromatically inflected four-part harmonic dictation
Fall 2024: MUSI UN3317
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3317 | 001/10075 | T Th 12:10pm - 1:00pm 405 Dodge Building |
Peter Susser | 1.00 | 10/14 |
Spring 2025: MUSI UN3317
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3317 | 001/10832 | T Th 12:10pm - 1:00pm 814 Dodge Building |
Michael Joviala | 1.00 | 4/14 |
AHMM UN3320 MUSIC IN EAST ASIA. 3.00 points.
A topical approach to the concepts and practices of music in relation to other arts in the development of Asian civilizations
Spring 2025: AHMM UN3320
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
AHMM 3320 | 001/10799 | M W 10:10am - 11:25am 622 Dodge Building |
Thomas Wetmore | 3.00 | 25/25 |
AHMM 3320 | 002/10803 | M W 5:40pm - 6:55pm 622 Dodge Building |
George Murer | 3.00 | 27/25 |
AHMM 3320 | 003/10804 | T Th 10:10am - 11:25am 622 Dodge Building |
Thomas Wetmore | 3.00 | 25/25 |
AHMM 3320 | 004/10805 | T Th 5:40pm - 6:55pm 622 Dodge Building |
Kathryn Cooke | 3.00 | 25/25 |
MUSI UN3321 MUSIC THEORY III. 3 points.
A one-hour weekly lab is required, to be scheduled at the beginning of the term.
Prerequisites: MUSI V2319.
Intermediate analysis and composition in a variety of tonal idioms.
Fall 2024: MUSI UN3321
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3321 | 001/10076 | M W 1:10pm - 2:25pm 620 Dodge Building |
Joseph Dubiel | 3 | 14/20 |
Spring 2025: MUSI UN3321
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3321 | 001/11318 | T Th 1:10pm - 2:25pm 622 Dodge Building |
Cheng Lim | 3 | 13/20 |
MUSI UN3322 MUSIC THEORY IV. 3.00 points.
Prerequisites: MUSI V3321.
Intermediate analysis and composition in a variety of tonal and extended tonal idioms.
Fall 2024: MUSI UN3322
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3322 | 001/10077 | T Th 1:10pm - 2:25pm 622 Dodge Building |
Cheng Lim | 3.00 | 2/20 |
Spring 2025: MUSI UN3322
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3322 | 001/11320 | M W 1:10pm - 2:25pm 814 Dodge Building |
Calder Hannan | 3.00 | 9/20 |
MUSI UN3400 TOPICS IN MUSIC & SOCIETY. 3.00 points.
Music Majors and Concentrators.
This course seeks to approach the study of music and society by comparatively studying repertories from different parts of the world, how the history of ideas and methods of studying such repertoires shaped them, the practices that constitute them and the ways they are understood and used by different peoples. Central to this course is the interrelationship between the constitution of a repertoire and the history of the construction of knowledge about it.
Fall 2024: MUSI UN3400
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3400 | 001/10078 | T Th 4:10pm - 5:25pm 622 Dodge Building |
Ruth Opara | 3.00 | 17/25 |
Spring 2025: MUSI UN3400
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3400 | 001/11772 | Th 4:10pm - 6:40pm 620 Dodge Building |
Kevin Fellezs | 3.00 | 25/25 |
MUSI UN3995 HONORS RESEARCH. 2.00-3.00 points.
Open to honors candidates in music only.
Prerequisites: a formal proposal to be submitted and approved prior to registration; see the director of undergraduate studies for details.
Prerequisites: a formal proposal to be submitted and approved prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision, leading to completion of an honors essay, composition, or the equivalent
Fall 2024: MUSI UN3995
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3995 | 001/10094 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3995 | 002/10095 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3995 | 003/10096 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3995 | 004/10097 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3995 | 006/10098 | |
Kevin Fellezs | 2.00-3.00 | 1/5 |
MUSI 3995 | 007/10099 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3995 | 008/10100 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3995 | 009/10101 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3995 | 010/10102 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3995 | 011/10103 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3995 | 012/10104 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3995 | 013/10105 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3995 | 015/10106 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3995 | 016/10107 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3995 | 017/10108 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3995 | 018/10109 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3995 | 019/10110 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3995 | 020/10111 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3995 | 021/10112 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3995 | 022/10113 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3995 | 023/10159 | |
Ruth Opara | 2.00-3.00 | 0/5 |
Spring 2025: MUSI UN3995
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3995 | 001/11418 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3995 | 002/11419 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3995 | 003/11420 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3995 | 004/11421 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3995 | 005/11422 | |
Joseph Dubiel | 2.00-3.00 | 0/5 |
MUSI 3995 | 006/11423 | |
Kevin Fellezs | 2.00-3.00 | 1/5 |
MUSI 3995 | 007/11424 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3995 | 008/11425 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3995 | 009/11426 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3995 | 010/11427 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3995 | 011/11428 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3995 | 012/11429 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3995 | 013/11430 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3995 | 014/11431 | |
George Lewis | 2.00-3.00 | 0/5 |
MUSI 3995 | 015/11432 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3995 | 016/11433 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3995 | 017/11434 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3995 | 018/11435 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3995 | 019/11436 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3995 | 020/11437 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3995 | 021/11438 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3995 | 022/11439 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3995 | 023/11440 | |
Ruth Opara | 2.00-3.00 | 0/5 |
MUSI UN3998 SUPERVISED INDEPENDENT STUDY. 2.00-3.00 points.
Prerequisites: approval prior to registration; see the director of undergraduate studies for details.
Prerequisites: approval prior to registration; see the director of undergraduate studies for details. A creative/scholarly project conducted under faculty supervision
Fall 2024: MUSI UN3998
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 3998 | 001/10114 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3998 | 002/10115 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3998 | 003/10116 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3998 | 004/10117 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3998 | 006/10118 | |
Aaron Fox | 2.00-3.00 | 1/5 |
MUSI 3998 | 007/10119 | |
Kevin Fellezs | 2.00-3.00 | 0/5 |
MUSI 3998 | 008/10120 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3998 | 009/10121 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3998 | 010/10122 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3998 | 011/10123 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3998 | 012/10124 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3998 | 013/10125 | |
Mariusz Kozak | 2.00-3.00 | 1/5 |
MUSI 3998 | 015/10126 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3998 | 016/10127 | |
Seth Cluett | 2.00-3.00 | 4/5 |
MUSI 3998 | 017/10128 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3998 | 018/10129 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3998 | 019/10130 | |
Magdalena Baczewska | 2.00-3.00 | 0/5 |
MUSI 3998 | 020/10131 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3998 | 021/10132 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3998 | 022/10133 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3998 | 023/10160 | |
Ruth Opara | 2.00-3.00 | 0/5 |
Spring 2025: MUSI UN3998
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 3998 | 001/11463 | |
Susan Boynton | 2.00-3.00 | 0/5 |
MUSI 3998 | 002/11464 | |
Alessandra Ciucci | 2.00-3.00 | 0/5 |
MUSI 3998 | 003/11465 | |
Zosha Di Castri | 2.00-3.00 | 0/5 |
MUSI 3998 | 004/11466 | |
Julia Doe | 2.00-3.00 | 0/5 |
MUSI 3998 | 005/11467 | |
Joseph Dubiel | 2.00-3.00 | 0/5 |
MUSI 3998 | 006/11468 | |
Aaron Fox | 2.00-3.00 | 0/5 |
MUSI 3998 | 007/11470 | |
Kevin Fellezs | 2.00-3.00 | 0/5 |
MUSI 3998 | 008/11471 | |
Walter Frisch | 2.00-3.00 | 0/5 |
MUSI 3998 | 009/11472 | |
Bradford Garton | 2.00-3.00 | 0/5 |
MUSI 3998 | 010/11473 | |
Giuseppe Gerbino | 2.00-3.00 | 0/5 |
MUSI 3998 | 011/11477 | |
Georg Friedrich Haas | 2.00-3.00 | 0/5 |
MUSI 3998 | 012/11478 | |
Marcos Balter | 2.00-3.00 | 0/5 |
MUSI 3998 | 013/11479 | |
Mariusz Kozak | 2.00-3.00 | 0/5 |
MUSI 3998 | 014/11480 | |
George Lewis | 2.00-3.00 | 0/5 |
MUSI 3998 | 015/11482 | |
Jeffrey Milarsky | 2.00-3.00 | 0/5 |
MUSI 3998 | 016/11484 | |
Seth Cluett | 2.00-3.00 | 0/5 |
MUSI 3998 | 017/11485 | |
Elaine Sisman | 2.00-3.00 | 0/5 |
MUSI 3998 | 018/11486 | |
Benjamin Steege | 2.00-3.00 | 0/5 |
MUSI 3998 | 019/11487 | |
Magdalena Baczewska | 2.00-3.00 | 1/5 |
MUSI 3998 | 020/11488 | |
Peter Susser | 2.00-3.00 | 0/5 |
MUSI 3998 | 021/11489 | |
Christopher Washburne | 2.00-3.00 | 0/5 |
MUSI 3998 | 024/11492 | |
Knar Abrahamyan | 2.00-3.00 | 0/5 |
MUSI 3998 | 025/11493 | |
Ruth Opara | 2.00-3.00 | 0/5 |
MUSI GU4204 Composing for Dance. 3.00 points.
The course presents tools, techniques, methodologies, and concepts for composing original music for dance (both acoustic and electronic). Composers will develop a work for dance collaborating with choreographers, culminating in a public showing at the end of the semester. Weekly meetings will be used to discuss the unique challenges (both practical and aesthetic) that this type of interdisciplinary collaboration raises, and to troubleshoot potential solutions. Students will examine case studies of collaborative composer/choreographer pairs (especially from the last 75 years), as potential models for working via the study of artist statements, interviews, articles, videos, and classroom discussions with invited guests. No prior experience writing for dance is necessary. Basic familiarity with a digital audio workspace is preferable. For participants who don’t write music or work in sound, a research project either analyzing a composer/choreographer pairing or looking at a topic relating to music and dance more broadly will serve as an equivalent final project (resulting in an academic paper, a podcast, or the production of an educational video)
Spring 2025: MUSI GU4204
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4204 | 001/17273 | T 12:10pm - 2:00pm 620 Dodge Building |
Zosha Di Castri | 3.00 | 3/12 |
MUSI GU4215 Modular Sound Synthesis. 3.00 points.
Modular Sound Synthesis is a hands-on studio class that explores contemporary techniques for synthesizers both in studio practice and performance while framing them in the historical context in which they developed. The class approaches the fundamentals of sound and synthesis through the perspective of Columbia’s Computer Music Center: vintage function generators, suitcase reel-to-reel tape machines, prototype modules, custom devices; and the first programmable music synthesizer, the RCA Mark II. Students will learn to perform and compose on both hardware devices and software emulations, utilizing them as a creative tool for recording and live performance. Topics include oscillators, modulation, sequencers, voltage processing, wave shaping, filters, and LFOs. The course will engage in listening to both historical and contemporary examples to develop critical listening skills. This class is designed as a follow-up to Intro to Digital Music for undergraduates or graduate students interested in integrating modular synthesis within their artistic practice
Spring 2025: MUSI GU4215
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4215 | 001/17276 | Th 4:10pm - 7:10pm 324 Prentis Hall |
Danielle Dobkin | 3.00 | 17/15 |
MUSI GU4438 Music and Global Africa. 3.00 points.
This course examines the transatlantic sounds of African music, including Afrobeat, Afrobeats, Amapiano, Chimurenga, Highlife, Kwaito, Makossa, Reggae, and more, to explore the rich cultural roots of African musical traditions and how they navigate and assimilate within the global popular culture sphere. From migration and collaborations to the rise of African artists in the era of advanced technology, the course uncovers how these genres transcend borders, inspire cross-cultural innovation, and influence the global music scene in contemporary times. Critical issues such as cultural appropriation, commodification, gender, health, and authenticity in the ever-evolving global music industry will be explored. By the end of the course, you will have a deep understanding of the complex dynamics driving the influence and dissemination of African music across the world
Spring 2025: MUSI GU4438
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4438 | 001/17279 | M 4:10pm - 6:00pm 620 Dodge Building |
Ruth Opara | 3.00 | 22/20 |
MUSI GU4505 JAZZ ARRANGING & COMPOSITION. 3.00 points.
Course designed to train students to arrange and compose in a variety of historical jazz styles, including swing, bebop, hard bop, modal, fusion, Latin, and free jazz.
Spring 2025: MUSI GU4505
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4505 | 001/10947 | M W 4:10pm - 5:25pm 814 Dodge Building |
Ole Mathisen | 3.00 | 15/20 |
MUSI GU4515 CONDUCTING MUSIC. 3.00 points.
Prerequisites: advanced music major and extensive contemporary music background.
Prerequisites: advanced music major and extensive contemporary music background. Analysis of the modern repertory of contemporary music with directional emphasis on actual conducting preparation, beating patterns, rhythmic notational problems, irregular meters, communication, and transference of musical ideas. Topics will include theoretical writing on 20th-century conducting, orchestration, and phrasing
Spring 2025: MUSI GU4515
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4515 | 001/10928 | T Th 1:10pm - 2:25pm 814 Dodge Building |
Jeffrey Milarsky | 3.00 | 15/15 |
MUSI GU4630 RECORDED SOUND. 3.00 points.
As music moves into the 21st century, we find ourselves surrounded by an ever-evolving landscape of technological capability. The world of music, and the music industry itself, is changing rapidly, and with that change comes the opening – and closing – of doorways of possibility. What does this shift mean for today’s practicing artist or composer? With big label recording studios signing and nurturing fewer and fewer artists, it seems certain that, today, musicians who want to record and distribute their music need to be able to do much of the recording and production work on their own. But where does one go to learn how to do this – to learn not only the “how to” part of music production, but the historical underpinnings and the development of the music production industry as well? How does one develop a comprehensive framework within which they can place their own artistic efforts? How does one learn to understand what they hear, re-create what they like and develop their own style? This class, “Recorded Sound,” aims to be the answer. It’s goal is to teach artists how to listen critically to music from across history and genres in order to identify the production techniques that they hear, and reproduce those elements using modern technology so they can be incorporated into the artist’s own musical works.
Fall 2024: MUSI GU4630
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4630 | 001/10190 | M 1:10pm - 4:00pm 317 Prentis Hall |
David Adamcyk | 3.00 | 11/15 |
MUSI 4630 | 002/17470 | W 1:10pm - 4:00pm 317 Prentis Hall |
Danielle Dobkin | 3.00 | 8/15 |
Spring 2025: MUSI GU4630
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 4630 | 001/11781 | T 10:10am - 1:00pm 317 Prentis Hall |
Anna Meadors | 3.00 | 8/12 |
FILM GU4048 Music, Sound and Image Theory. 3.00 points.
Some of the most exciting theoretical moving image work in recent years has centered on the problem of the acoustic sign in cinema and especially around the relation between image track and sound “track.” This course rethinks the history and theory of cinema from the point of view of sound: effects, dialogue, music. From cinematic sound recording and play-back technologies through Dolby sound enhancement and contemporary digital audio experiments. Revisiting basic theoretical concepts from the pov of sound: realism (sound perspective, dubbing), anti-realism (contrapuntal and dissonant effects), genre (the leitmotiv), perception (the synaesthetic effect). The silent to sound divide considered relative to the *19th* century Romanticism of the classical Hollywood score associated with the Viennese-trained Max Steiner to the scores of John Williams
Spring 2025: FILM GU4048
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
FILM 4048 | 001/17191 | Th 10:10am - 11:45am Kob Lenfest Center For The Arts |
Benjamin Steege, Jane Gaines | 3.00 | 33/70 |
FILM 4048 | 001/17191 | T 10:10am - 12:55pm Kob Lenfest Center For The Arts |
Benjamin Steege, Jane Gaines | 3.00 | 33/70 |
MUSI GU4998 SUPERVISED INDEPENDENT STUDY. 1.00-3.00 points.
Fall 2024: MUSI GU4998
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MUSI 4998 | 001/10093 | |
Seth Cluett | 1.00-3.00 | 0/5 |
Spring 2025: MUSI GU4998
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MUSI 4998 | 001/11469 | |
Seth Cluett | 1.00-3.00 | 0/5 |
MPP UN1401 BASSOON INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1401
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1401 | 001/10202 | |
Mark Timmerman | 1.00 | 0/5 |
Spring 2025: MPP UN1401
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1401 | 001/11018 | |
Mark Timmerman | 1.00 | 0/5 |
MPP UN1403 CELLO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1403
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1403 | 001/10203 | |
Eliot Bailen | 1.00 | 5/5 |
MPP 1403 | 002/10204 | |
Gwendolyn Krosnick | 1.00 | 0/5 |
MPP 1403 | 003/19097 | |
Patrick Jee | 1.00 | 1/5 |
MPP 1403 | 004/21031 | |
James Wilson | 1.00 | 2/5 |
Spring 2025: MPP UN1403
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1403 | 001/11019 | |
Eliot Bailen | 1.00 | 0/5 |
MPP 1403 | 002/13271 | |
Gwendolyn Krosnick | 1.00 | 0/5 |
MPP 1403 | 003/11608 | |
Patrick Jee | 1.00 | 1/5 |
MPP 1403 | 004/11619 | |
James Wilson | 1.00 | 2/5 |
MPP UN1405 CLARINET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1405
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1405 | 001/10205 | |
Allen Blustine | 1.00 | 3/5 |
Spring 2025: MPP UN1405
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1405 | 001/11622 | |
Allen Blustine | 1.00 | 1/5 |
MPP UN1407 CLASSICAL SAXOPHONE INSTRUCTION. 1 point.
CLASSICAL SAXOPHONE INSTRUCTION
Fall 2024: MPP UN1407
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1407 | 001/14965 | |
1 | 0/5 | |
Spring 2025: MPP UN1407
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1407 | 001/13272 | |
1 | 0/5 |
MPP UN1409 FLUTE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1409
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1409 | 001/10206 | |
Sue Anne Kahn | 1.00 | 0/5 |
MPP 1409 | 002/10207 | |
Susan Palma-Nidel | 1.00 | 2/5 |
MPP 1409 | 003/10208 | |
Susan Rotholz | 1.00 | 1/5 |
Spring 2025: MPP UN1409
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1409 | 001/13274 | |
Sue Anne Kahn | 1.00 | 0/5 |
MPP 1409 | 002/11625 | |
Susan Palma-Nidel | 1.00 | 0/5 |
MPP 1409 | 003/11626 | |
Susan Rotholz | 1.00 | 0/5 |
MPP UN1411 FRENCH HORN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1411
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1411 | 001/10209 | |
Brad Gemeinhardt | 1.00 | 0/5 |
MPP UN1413 GUITAR (BLUEGRASS) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1413
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1413 | 001/10210 | |
James Kerr | 1.00 | 2/5 |
Spring 2025: MPP UN1413
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1413 | 001/11672 | |
James Kerr | 1.00 | 0/5 |
MPP UN1414 Guitar (Popular-Contemporary) Instruction. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar, pop guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required
Fall 2024: MPP UN1414
|
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1414 | 001/13990 | |
James Moore | 1.00 | 6/5 |
Spring 2025: MPP UN1414
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1414 | 001/11793 | |
James Moore | 1.00 | 0/6 |
MPP UN1415 GUITAR (CLASSICAL) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1415
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1415 | 001/10211 | |
James Kerr | 1.00 | 3/5 |
Spring 2025: MPP UN1415
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1415 | 001/11673 | |
James Kerr | 1.00 | 0/5 |
MPP UN1417 HARP INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1417
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1417 | 001/10212 | |
June Han | 1.00 | 1/5 |
Spring 2025: MPP UN1417
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1417 | 001/11674 | |
June Han | 1.00 | 0/5 |
MPP UN1419 OBOE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1419
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1419 | 001/10213 | |
Vicki Bodner | 1.00 | 3/5 |
Spring 2025: MPP UN1419
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1419 | 001/11675 | |
Vicki Bodner | 1.00 | 1/5 |
MPP UN1421 ORGAN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1421
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1421 | 001/10214 | |
Paul Martin Maki | 1.00 | 2/5 |
Spring 2025: MPP UN1421
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1421 | 001/11678 | |
Paul Martin Maki | 1.00 | 0/5 |
MPP UN1423 PERCUSSION INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1423
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1423 | 001/10215 | |
Ian Sullivan | 1.00 | 0/5 |
Spring 2025: MPP UN1423
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1423 | 001/13362 | |
Ian Sullivan | 1.00 | 0/5 |
MPP UN1425 PIANO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1425
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1425 | 001/10216 | |
Michael Skelly | 1.00 | 34/50 |
MPP 1425 | 002/10217 | |
Dmitry Alexeev | 1.00 | 10/40 |
MPP 1425 | 003/10218 | |
Reiko Uchida | 1.00 | 13/40 |
MPP 1425 | 004/10219 | |
Mirna Lekic | 1.00 | 10/40 |
MPP 1425 | 005/20905 | |
Kathleen Tagg | 1.00 | 14/40 |
Spring 2025: MPP UN1425
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1425 | 001/11679 | |
Michael Skelly | 1.00 | 0/50 |
MPP 1425 | 002/11680 | |
Dmitry Alexeev | 1.00 | 3/40 |
MPP 1425 | 003/11688 | |
Reiko Uchida | 1.00 | 0/40 |
MPP 1425 | 004/11689 | |
Mirna Lekic | 1.00 | 6/40 |
MPP 1425 | 005/11690 | |
Kathleen Tagg | 1.00 | 4/40 |
MPP UN1427 STRING BASS INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1427
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1427 | 001/10220 | |
Lou Kosma | 1.00 | 4/5 |
Spring 2025: MPP UN1427
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1427 | 001/11695 | |
Lou Kosma | 1.00 | 0/5 |
MPP UN1429 TROMBONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1429
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1429 | 001/10221 | |
1.00 | 0/5 |
MPP UN1431 TRUMPET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1431
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1431 | 001/10222 | |
David Krauss | 1.00 | 1/5 |
Spring 2025: MPP UN1431
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1431 | 001/11794 | |
David Krauss | 1.00 | 0/5 |
MPP UN1433 TUBA INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1433
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1433 | 001/10223 | |
1.00 | 0/5 |
MPP UN1435 VIOLA INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1435
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1435 | 001/10224 | |
Sarah Adams | 1.00 | 3/5 |
MPP 1435 | 002/10226 | |
Amadi Azikiwe | 1.00 | 0/5 |
MPP 1435 | 003/10225 | |
Jessica Thompson | 1.00 | 0/5 |
Spring 2025: MPP UN1435
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1435 | 001/11798 | |
Sarah Adams | 1.00 | 0/5 |
MPP 1435 | 002/13363 | |
Amadi Azikiwe | 1.00 | 0/5 |
MPP 1435 | 003/13364 | |
Jessica Thompson | 1.00 | 0/5 |
MPP UN1437 VIOLIN INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1437
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1437 | 001/10227 | |
Cyrus Beroukhim | 1.00 | 2/5 |
MPP 1437 | 002/10228 | |
Maja Cerar | 1.00 | 5/5 |
MPP 1437 | 004/10229 | |
Lisa Kim | 1.00 | 1/5 |
MPP 1437 | 005/10230 | |
Muneko Otani | 1.00 | 3/5 |
MPP 1437 | 006/10231 | |
Richard Rood | 1.00 | 4/5 |
Spring 2025: MPP UN1437
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1437 | 001/11808 | |
Cyrus Beroukhim | 1.00 | 0/5 |
MPP 1437 | 002/11811 | |
Maja Cerar | 1.00 | 0/5 |
MPP 1437 | 004/11813 | |
Lisa Kim | 1.00 | 0/5 |
MPP 1437 | 005/11815 | |
Muneko Otani | 1.00 | 0/5 |
MPP 1437 | 006/11820 | |
Richard Rood | 1.00 | 0/5 |
MPP UN1439 EARLY INSTRUMENTS: HARPSICHORD. 1.00 point.
Accepting NEW STUDENTS in FALL semester ONLY. $300 MUSIC LESSON FEE FOR ALL STUDENTS. All accepted MPP students must register for lessons and ensembles by the change-of-program deadline in order to be allowed to attend lessons that semester. Petitioning students must notify MPP staff prior to this deadline.
MPP UN1441 EARLY INSTRUMENTS: VIOLA DA GAMBA. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
MPP UN1443 JAZZ BASS INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1443
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1443 | 001/10232 | |
Bradley Jones | 1.00 | 0/5 |
MPP 1443 | 002/10233 | |
Ugonna Okegwo | 1.00 | 5/5 |
Spring 2025: MPP UN1443
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1443 | 002/13269 | |
Ugonna Okegwo | 1.00 | 0/5 |
MPP UN1445 JAZZ BASS (ELECTRIC) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1445
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1445 | 001/10234 | |
Leo Traversa | 1.00 | 2/5 |
Spring 2025: MPP UN1445
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1445 | 001/11821 | |
Leo Traversa | 1.00 | 0/5 |
MPP UN1447 JAZZ GUITAR (ELECTRIC) INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1447
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1447 | 001/10235 | |
Paul Bollenback | 1.00 | 7/7 |
MPP 1447 | 002/10236 | |
Leo Traversa | 1.00 | 0/5 |
Spring 2025: MPP UN1447
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1447 | 001/11867 | |
Paul Bollenback | 1.00 | 0/7 |
MPP 1447 | 002/13270 | |
Leo Traversa | 1.00 | 0/5 |
MPP UN1449 JAZZ ORCHESTRATION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1449
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1449 | 001/10237 | |
Ole Mathisen | 1.00 | 0/5 |
MPP 1449 | 002/10238 | |
Don Sickler | 1.00 | 0/5 |
Spring 2025: MPP UN1449
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1449 | 001/13368 | |
Ole Mathisen | 1.00 | 0/5 |
MPP 1449 | 002/13369 | |
Don Sickler | 1.00 | 0/5 |
MPP UN1451 JAZZ PERCUSSION INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1451
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1451 | 001/10239 | |
Anthony Moreno | 1.00 | 0/5 |
MPP 1451 | 002/10240 | |
Vince Cherico | 1.00 | 7/6 |
MPP 1451 | 003/10241 | |
Sylvia Cuenca | 1.00 | 0/5 |
Spring 2025: MPP UN1451
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1451 | 001/13370 | |
Anthony Moreno | 1.00 | 0/5 |
MPP 1451 | 002/11910 | |
Vince Cherico | 1.00 | 0/7 |
MPP UN1453 JAZZ PIANO INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1453
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1453 | 001/10242 | |
Gabriel Guerrero | 1.00 | 6/7 |
MPP 1453 | 002/10243 | |
Victor Lin | 1.00 | 5/5 |
MPP 1453 | 004/10244 | |
Helen Sung | 1.00 | 3/5 |
Spring 2025: MPP UN1453
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1453 | 001/11913 | |
Gabriel Guerrero | 1.00 | 2/7 |
MPP 1453 | 002/11915 | |
Victor Lin | 1.00 | 0/5 |
MPP 1453 | 004/11918 | |
Helen Sung | 1.00 | 0/5 |
MPP UN1455 JAZZ SAXOPHONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1455
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1455 | 001/10245 | |
Laubrock Ingrid | 1.00 | 8/8 |
Spring 2025: MPP UN1455
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1455 | 001/11919 | |
Laubrock Ingrid | 1.00 | 0/8 |
MPP UN1457 JAZZ TROMBONE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1457
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1457 | 001/10246 | |
John David Gibson | 1.00 | 3/5 |
Spring 2025: MPP UN1457
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1457 | 001/11922 | |
John David Gibson | 1.00 | 0/5 |
MPP UN1459 JAZZ TRUMPET INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1459
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1459 | 001/10247 | |
Don Sickler | 1.00 | 4/5 |
MPP 1459 | 002/10248 | |
1.00 | 0/5 | |
Spring 2025: MPP UN1459
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1459 | 001/11924 | |
Don Sickler | 1.00 | 0/5 |
MPP UN1461 JAZZ VOICE INSTRUCTION. 1.00 point.
The Music Performance Program (MPP) offers music lessons in various classical and jazz instruments, bluegrass guitar and jazz voice, taught by distinguished MPP Associate Faculty members. Lessons are 6 hours per semester. An audition is required.
Fall 2024: MPP UN1461
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1461 | 001/10249 | |
Christine Correa | 1.00 | 8/8 |
Spring 2025: MPP UN1461
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1461 | 001/11943 | |
Christine Correa | 1.00 | 1/8 |
MPP UN1511 COLLEGIUM MUSICUM. 1.00 point.
Collegium Musicum is a performing group dedicated primarily to the study and performance of early music, broadly defined.
Fall 2024: MPP UN1511
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1511 | 001/10059 | M 7:30pm - 9:30pm 622 Dodge Building |
Ramin Amir Arjomand | 1.00 | 5/30 |
Spring 2025: MPP UN1511
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1511 | 001/10929 | M 7:30pm - 9:30pm 622 Dodge Building |
Ramin Amir Arjomand | 1.00 | 0/30 |
MPP UN1521 UNIVERSITY ORCHESTRA I. 2.00 points.
Founded by composer Edward MacDowell in 1896, the Columbia University Orchestra is the oldest continually operating university orchestra in the United States. The principal mission of the Orchestra is to expose talented student musicians to the highest level of orchestral repertoire. An audition is required.
Fall 2024: MPP UN1521
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1521 | 001/10057 | T 6:30pm - 9:30pm Room TBA |
Jeffrey Milarsky | 2.00 | 82/100 |
Spring 2025: MPP UN1521
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1521 | 001/10927 | T 6:30pm - 9:30pm Room TBA |
Jeffrey Milarsky | 2.00 | 28/100 |
MPP UN1531 CHAMBER ENSEMBLE. 1.00 point.
The Music Performance Program (MPP) offers students the opportunity to participate in various classical ensembles and study with some of the most renowned chamber musicians in New York City. An audition is required.
Fall 2024: MPP UN1531
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1531 | 003/10252 | |
Ian Sullivan | 1.00 | 0/25 |
MPP 1531 | 005/10253 | |
Reiko Uchida | 1.00 | 0/25 |
MPP 1531 | 006/10254 | |
Sarah Adams | 1.00 | 8/25 |
MPP 1531 | 007/10255 | |
Eliot Bailen | 1.00 | 7/25 |
MPP 1531 | 008/10256 | |
Allen Blustine | 1.00 | 0/25 |
MPP 1531 | 009/10257 | |
Vicki Bodner | 1.00 | 0/25 |
MPP 1531 | 010/10262 | |
Patrick Jee | 1.00 | 3/25 |
MPP 1531 | 011/10258 | |
Maja Cerar | 1.00 | 3/25 |
MPP 1531 | 013/10260 | |
June Han | 1.00 | 0/25 |
MPP 1531 | 014/10261 | |
Sue Anne Kahn | 1.00 | 3/25 |
MPP 1531 | 015/10264 | |
Amadi Azikiwe | 1.00 | 2/25 |
MPP 1531 | 016/10265 | |
Muneko Otani | 1.00 | 21/25 |
MPP 1531 | 017/10266 | |
Susan Palma-Nidel | 1.00 | 3/25 |
MPP 1531 | 018/10267 | |
Richard Rood | 1.00 | 4/25 |
MPP 1531 | 019/10268 | |
Susan Rotholz | 1.00 | 2/25 |
MPP 1531 | 020/10269 | |
Jessica Thompson | 1.00 | 0/25 |
MPP 1531 | 021/10271 | |
Brad Gemeinhardt | 1.00 | 0/25 |
MPP 1531 | 022/10272 | |
James Wilson | 1.00 | 0/25 |
MPP 1531 | 023/18757 | |
Gwendolyn Krosnick | 1.00 | 0/25 |
MPP 1531 | 024/19098 | |
Mirna Lekic | 1.00 | 0/25 |
Spring 2025: MPP UN1531
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1531 | 005/13373 | |
Reiko Uchida | 1.00 | 0/25 |
MPP 1531 | 006/12023 | |
Sarah Adams | 1.00 | 0/25 |
MPP 1531 | 007/12025 | |
Eliot Bailen | 1.00 | 0/25 |
MPP 1531 | 008/13374 | |
Allen Blustine | 1.00 | 0/25 |
MPP 1531 | 009/13375 | |
Vicki Bodner | 1.00 | 0/25 |
MPP 1531 | 010/12031 | |
Patrick Jee | 1.00 | 1/25 |
MPP 1531 | 011/12032 | |
Maja Cerar | 1.00 | 0/25 |
MPP 1531 | 013/13376 | |
June Han | 1.00 | 0/25 |
MPP 1531 | 014/12035 | |
Sue Anne Kahn | 1.00 | 1/25 |
MPP 1531 | 015/12037 | |
Amadi Azikiwe | 1.00 | 0/25 |
MPP 1531 | 016/12038 | |
Muneko Otani | 1.00 | 0/25 |
MPP 1531 | 017/12040 | |
Susan Palma-Nidel | 1.00 | 0/25 |
MPP 1531 | 018/12041 | |
Richard Rood | 1.00 | 1/25 |
MPP 1531 | 019/12042 | |
Susan Rotholz | 1.00 | 0/25 |
MPP 1531 | 023/13481 | |
Gwendolyn Krosnick | 1.00 | 0/25 |
MPP UN1541 COLUMBIA UNIV JAZZ ENSEMBL. 1.00 point.
The Louis Armstrong Jazz Performance Program in the Music Performance Program (MPP) offers students the opportunity to participate in various jazz ensembles, both large and small, instrumental and vocal, that cover a wide range of musical ensembles. All ensembles perform at an intermediate level or higher and require some past jazz experience.
Fall 2024: MPP UN1541
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1541 | 001/10273 | |
Christine Correa | 1.00 | 14/25 |
MPP 1541 | 002/10274 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 003/10276 | |
Leo Traversa | 1.00 | 2/25 |
MPP 1541 | 004/10277 | |
Vince Cherico | 1.00 | 9/25 |
MPP 1541 | 005/10278 | |
Victor Lin | 1.00 | 10/25 |
MPP 1541 | 006/10279 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 007/10280 | |
Ole Mathisen | 1.00 | 2/25 |
MPP 1541 | 008/10281 | |
Paul Bollenback | 1.00 | 4/25 |
MPP 1541 | 009/10283 | |
Don Sickler | 1.00 | 13/25 |
MPP 1541 | 010/10284 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 011/10285 | |
John David Gibson | 1.00 | 5/10 |
Spring 2025: MPP UN1541
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1541 | 001/12066 | |
Christine Correa | 1.00 | 0/25 |
MPP 1541 | 002/13482 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 003/12076 | |
Leo Traversa | 1.00 | 0/25 |
MPP 1541 | 004/12080 | |
Vince Cherico | 1.00 | 0/25 |
MPP 1541 | 005/12085 | |
Victor Lin | 1.00 | 0/25 |
MPP 1541 | 006/13483 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 007/12098 | |
Ole Mathisen | 1.00 | 0/25 |
MPP 1541 | 008/12102 | |
Paul Bollenback | 1.00 | 0/25 |
MPP 1541 | 009/12109 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 010/13484 | |
Don Sickler | 1.00 | 0/25 |
MPP 1541 | 011/12117 | |
John David Gibson | 1.00 | 0/25 |
MPP UN1551 WORLD MUSIC ENSEMBLE. 1.00 point.
In collaboration with the Center for Ethnomusicology, MESAAS, Institute for Medieval Japanese Studies and the Louis Armstrong Jazz Performance Program, the Music Performance Program (MPP) offers students the opportunity to participate in various world music ensembles: Arab Music, Bluegrass, Japanese Gagaku/Hogaku, Klezmer and Latin American Music. Each ensemble requires different levels of experience, so please refer to the World Music section of the Music Performance Program website for more info. Please note the Latin American Music Ensemble focuses on two different Latin music traditions: The Afro-Cuban Ensemble meets in the Fall and the Brazilian Ensemble meets in the Spring.
Fall 2024: MPP UN1551
|
|||||
Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
---|---|---|---|---|---|
MPP 1551 | 001/10286 | |
James Kerr | 1.00 | 7/25 |
MPP 1551 | 002/10287 | |
Alicia Lindsey | 1.00 | 6/25 |
MPP 1551 | 003/10288 | |
Adam Robinson | 1.00 | 4/25 |
MPP 1551 | 004/10289 | |
Yumi Kurosawa | 1.00 | 3/25 |
MPP 1551 | 005/10290 | |
Jeff Warschauer | 1.00 | 6/25 |
MPP 1551 | 006/10291 | |
Leo Traversa, Vince Cherico | 1.00 | 12/25 |
MPP 1551 | 007/10292 | Th 5:00pm - 7:00pm 814 Dodge Building |
Taoufik Ben-Amor | 1.00 | 18/18 |
Spring 2025: MPP UN1551
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1551 | 001/12134 | |
James Kerr | 1.00 | 0/25 |
MPP 1551 | 002/12137 | |
Alicia Lindsey | 1.00 | 3/25 |
MPP 1551 | 003/12140 | |
Adam Robinson | 1.00 | 0/25 |
MPP 1551 | 004/12143 | |
Yumi Kurosawa | 1.00 | 0/25 |
MPP 1551 | 005/12192 | |
Jeff Warschauer | 1.00 | 2/25 |
MPP 1551 | 006/12197 | |
Leo Traversa, Vince Cherico | 1.00 | 1/25 |
MPP 1551 | 007/12205 | |
Taoufik Ben-Amor | 1.00 | 13/18 |
MPP UN1601 Performance Seminar MasterClass. 1.00 point.
Performance Seminar Masterclass is open to classical musicians of any instrument(s) with the highest commitment to performance. Students are admitted via live audition during the first week of classes in the Fall. Each week, two students perform repertoire of their choice for the class and receive feedback from everyone present. The discussions, moderated by the director of the Music Performance Program, Dr. Magdalena Stern-Baczewska, are designed to provide constructive criticism to the performers and to pose questions related to performance from the perspectives of musical interpretation, career management, professional collaboration, and pedagogy
Fall 2024: MPP UN1601
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
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MPP 1601 | 001/14795 | W 4:10pm - 5:25pm 622 Dodge Building |
Magdalena Baczewska | 1.00 | 15/14 |
Spring 2025: MPP UN1601
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Course Number | Section/Call Number | Times/Location | Instructor | Points | Enrollment |
MPP 1601 | 001/11747 | W 4:10pm - 5:25pm 622 Dodge Building |
Magdalena Baczewska | 1.00 | 8/14 |
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